Anything Is Possible Cover Image

Anything Is Possible: SATB Choral Octavo

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Anything Is Possible Cover Image

Anything Is Possible: SATB Choral Octavo

Theme music of Ringling Bros. and Barnum & Bailey Circus, 137th Edition

Words by Marcy Heisler, music by Michael Picton / arr. Jay Althouse

Item: 00-31114

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Description
Blast off your concert with this exciting theme music from Ringling Bros. and Barnum & Bailey Circus, 137th Edition! Terrific lyrics, written especially for today's choirs. The perfect upbeat opener. Featured on the Danza! Movement DVD (00-31225).

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081338866
SKU: 00-31114

More about this title

Why we love this

This arrangement captures the unrelenting energy of circus showmanship without requiring elaborate staging or technical demands. Jay Althouse's SATB setting sits comfortably in most ranges, and the built-in movement vocabulary means your choir can immediately visualize excitement rather than simply singing about it.

What to expect

Pure theatrical joy. The music propels forward with infectious optimism, built on straightforward harmonies and rhythms that feel celebratory rather than complex. You finish the piece smiling, having experienced the kind of collective energy that makes audiences want to sit closer.

Who it's for

Concert choirs at the secondary and community levels seeking a guaranteed crowd-pleaser that opens doors rather than closes them. This works equally well for spring pops concerts, end-of-year celebrations, or competition openers where you need immediate engagement.

How to get the most out of it

  • Lean into the rhythmic precision of the accompaniment. Lock the ensemble's attacks with the recorded track to create maximum impact on that opening gesture.
  • Shape the lyrical moments with genuine warmth before snapping back to the high-energy sections. The contrast makes the brightness land harder.
  • Engage the choreography fully even in rehearsal. The movement reinforces rhythmic accuracy and makes the piece feel natural rather than tacked-on.
  • Balance ensemble blend in the unison sections while allowing soloists or small groups to cut through during featured passages.

How to use it

Position this as your concert opener to set an energetic tone immediately. It pairs well alongside other pop or contemporary repertoire and gives newer singers confidence early in the performance. The movement component also works beautifully as a teaching moment about how staging amplifies musical intent.

Skills your students will build

  • Rhythmic precision and ensemble cohesion through recorded accompaniment
  • Connecting physical movement to vocal production and phrasing
  • Maintaining full vocal energy in high-register, repetitive material
  • Balancing ensemble blend with clear part independence in SATB texture

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