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Anything Is Possible: SAB Choral Octavo

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Anything Is Possible Cover Image

Anything Is Possible: SAB Choral Octavo

Theme music of Ringling Bros. and Barnum & Bailey Circus, 137th Edition

Words by Marcy Heisler, music by Michael Picton / arr. Jay Althouse

Item: 00-31115

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Description
Blast off your concert with this exciting theme music from Ringling Bros. and Barnum & Bailey Circus, 137th Edition! Terrific lyrics, written especially for today's choirs. The perfect upbeat opener. Featured on the Danza! Movement DVD (00-31225).

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081338873
SKU: 00-31115

More about this title

Why we love this

Jay Althouse's arrangement captures the infectious energy of circus spectacle while keeping the voicing accessible for mixed choirs without sacrificing impact. The SAB setting lets singers focus on nailing the rhythmic punch and character rather than wrestling with four-part harmony, making this a genuine crowd-pleaser that doesn't require advanced readers.

What to expect

Pure, unfiltered joy. The music sparkles with carnival atmosphere, bright brass-band sensibility, and the kind of infectious momentum that makes audiences sit up in their seats. There's a playfulness here that invites singers to smile while they perform, transforming a concert opener into an experience rather than just another piece.

Who it's for

Mixed choirs in middle school through early high school that want to open a concert with immediate lift and audience engagement. It works equally well for community choirs, show choirs, and any ensemble looking to shift the mood from formal to festive without dropping musical standards.

How to get the most out of it

  • Nail the rhythmic precision in the opening phrases; the circus theme thrives on crisp, synchronized attacks across all voice parts.
  • Lean into the character and personality of the lyrics rather than singing mechanically. This piece demands energy and showmanship, not refinement.
  • Use the recorded accompaniment in rehearsal to lock in tempo and feel before moving to live piano or accompaniment parts; the recording models the intended groove and intensity.
  • Stage movement opportunities are built into this piece. Work with your singers early on blocking and choreography so that physical commitment reinforces the vocal energy.

How to use it

Position this as your first selection to establish an energetic, welcoming tone for the entire concert. It pairs naturally with other upbeat secular selections in a pop or contemporary choral set, or stands alone as the gateway that draws the audience into everything that follows.

Skills your students will build

  • Rhythmic precision and synchronized ensemble attacks
  • Performance character and storytelling through lyrics
  • Balancing three distinct voice parts with independent lines
  • Sustaining energy and projection across an extended phrase

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