Anything Is Possible: 2-Part Choral Octavo

This piece brings genuine circus energy to your concert without requiring elaborate staging or technical wizardry. The combination of Picton's catchy theme and Jay Althouse's straightforward 2-part writing means your singers stay focused on delivering joy rather than wrestling with complex voicing.

Pure kinetic energy meets infectious melody. The piece captures the exhilaration of stepping under the big top, complete with bright harmonic colors and a driving rhythm that propels the text forward. Audiences hear excitement before the first verse even begins.

Middle school and high school choirs seeking a statement opener that lands with immediate impact. Young singers respond to the straightforward 2-part voicing and contemporary pop choral sound, while the theatrical context appeals to performers who thrive on entertainment-focused material.

• Lean into the theatrical energy in the lyrics. This piece thrives when singers commit to the celebratory tone rather than treating it as another standard opener.
• Check the movement and staging suggestions included with the score. Even simple blocking can transform the performance and engage your audience from the downbeat.
• Use the recorded accompaniment to establish a secure foundation during rehearsals, then gradually reduce reliance on it so your singers develop stronger ensemble awareness.
• Keep the tempo brisk and consistent. Any hesitation undermines the upbeat character, so nail down your tempo in early rehearsals and maintain it throughout.

Open a concert with this piece to establish a celebratory tone and signal that the evening will be entertaining. It pairs well with more introspective selections later in the program, providing essential contrast and giving your singers a chance to demonstrate range and versatility in a single performance.

• Two-part blend and balance in pop choral style
• Text projection and diction in an energetic tempo
• Interpreting theatrical performance direction
• Sustaining rhythmic precision in syncopated passages
• Building confidence in front of an audience through character-driven performance