Another Op'nin', Another Show: 3-Part Mixed Choral Octavo

Jay Althouse's arrangement captures the sheer theatrical energy of this opening number without overwhelming developing singers. The way the tune passes from voice to voice creates natural momentum and keeps everyone engaged, making it a piece that sounds substantial in performance while remaining genuinely fun to learn and rehearse.

Effervescent and infectious. The tune bounces with anticipation as it moves through the voices, building momentum like an actual opening night buzzing with possibility. When the full ensemble hits that title line, the payoff feels earned and celebratory.

This piece suits developing choirs with solid blend and basic part independence. The 3-part voicing is accessible, yet the Broadway style and building drama give singers something genuinely theatrical to sink their teeth into.

• Keep the early exchanges light and conversational; the humor of the lyric needs room to breathe before the big crescendo arrives.
• Mark the dynamic arc clearly in rehearsal so singers understand exactly when the buildup accelerates and where the full ensemble impact lands.
• If you're staging this, let the passing of the melody guide your choreography; the musical structure already tells the story of growing excitement.

This works perfectly as a concert opener or closer when you want to establish energy and showmanship. It pairs naturally with other Porter selections or fits into a Broadway-themed program, and its theatrical confidence makes it equally at home in a cabaret or spring pops concert.

• Singing melismatic lines with clarity and style
• Passing independent melodic lines between voice parts cleanly
• Building dynamic tension through controlled crescendo
• Matching the rhythmic and tonal character of Broadway style singing
• Balancing ensemble blend with distinct part awareness