Another Op'nin', Another Show: Choral Octavo SoundTrax CD

Jay Althouse's arrangement channels the infectious energy of opening night without overwhelming developing singers. The voice-to-voice pass of the melody creates natural drama and keeps every section engaged throughout, while the buildup to the title line gives your singers a genuine payoff moment that works whether you're singing it straight or staging it with movement.

Anticipation crackles through this number. The melody bounces with buoyant confidence, and as it spirals upward through the voices, you feel the theatrical tension mounting toward something big. By the time the title line hits, the energy has become irresistible.

Developing choirs ready to tackle a showstopper that doesn't rely on extreme range or complex rhythms. The piece works equally well as a concert closer, a musical theater program staple, or a fun challenge in mid-level honor choir festivals.

• Shape the crescendo by bringing new vocal lines in gradually rather than all at once; let the excitement build through layering rather than volume alone.
• Emphasize the clarity of the text as it passes between sections; articulation and diction matter more than power, especially in the early phrases.
• The recorded accompaniment can anchor your ensemble while you focus rehearsal time on dynamic contrast and the dramatic arc leading into the finale.

Perfect for closing out a concert with a burst of theatrical joy, or pair it with other Porter selections for a Broadway showcase. It's also an ideal selection for introducing younger singers to the sophistication and storytelling power of Golden Age musical theater.

• Passing melodic lines between voice parts with rhythmic precision
• Building dynamic intensity through cumulative layering rather than volume
• Shaping legit vocal tone while maintaining theatrical character
• Coordinating text clarity across overlapping phrases