Another Op'nin', Another Show: 3-Part Mixed Choral Octavo

Jay Althouse's arrangement captures the infectious energy of Porter's original without overwhelming developing singers. The piece builds naturally from the opening melody through layered voices, creating a genuine sense of theatrical momentum that works beautifully whether your choir performs it straight or with staged movement.

Bubbly and effervescent, with the giddy anticipation of performers waiting in the wings. The arrangement sparkles as voices trade the melody back and forth, building momentum toward the infectious title line that lands with satisfying theatrical flair.

SAB choirs with solid blend and some experience reading ensemble parts will find this arrangement both accessible and rewarding. The piece works equally well for high school groups, adult community choirs, and developing college ensembles.

• Shape the phrase lengths carefully as the melody passes between voice parts; slight tempo flexibility during the build-up creates anticipation rather than rushing toward the climax.
• Balance the inner voices during the accumulation sections so the ascending energy feels orchestrated, not chaotic.
• Work with your recorded accompaniment to lock the rhythmic precision that makes the comedic timing land on opening night.

Program this as a concert opener or act finale to energize your audience with Broadway flair. It pairs well with other musical theatre selections or stands alone as a crowd-pleasing showpiece that showcases your choir's ability to handle rhythmic precision and ensemble singing with personality.

• Singing in close harmony while maintaining phrase shape and clarity
• Tracking a melody that passes fluidly between voice parts
• Building dynamic intensity through layered vocal lines
• Performing with rhythmic precision and theatrical intention
• Balancing ensemble blend while anchoring individual voice parts