Angels' Gloria Cover Image

Angels' Gloria: Choral SoundPax

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Angels' Gloria Cover Image

Angels' Gloria: Choral SoundPax

Music by Jay Althouse

Item: 00-21745

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Description
Includes parts for 2 trumpet, 2 trombone, tuba and snare.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Angels' Gloria: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081211398
SKU: 00-21745
Instrumentation: SoundPax

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later honored as a Distinguished Alumnus. His career spans both publishing and composition; he spent eight years managing rights and licenses for a major educational music publisher and served on the Executive Board of the Music Publishers Association of America. As a composer, he has over 800 choral works in print and is a frequent recipient of the ASCAP Special Award for his contributions to standard choral repertoire.

Beyond composing, Althouse has shaped music education through multiple channels. He has co-written children's musicals with his wife Sally K. Albrecht, edited acclaimed vocal solo collections including Folk Songs for Solo Singers, and authored pedagogical resources such as Ready to Read Music and One-Page Composer Bios. His co-written work I Hear America Singing was performed by the San Francisco Girls and Boys Choirs at President Barack Obama's 2009 inauguration. He currently serves on the National Advisory Board of the Folk Art Society of America.

Why we love this

Althouse writes accessible Christmas music that doesn't compromise on musical substance, and the SoundPax format with brass parts gives this piece flexibility for choirs working with limited instrumental resources. The combination of choir and trumpet, trombone, and tuba creates a genuine festive sound without requiring a full orchestra, making it realistic for most school and community programs.

What to expect

The combination of choir and brass creates warmth and celebration without overwhelming reverence. There's a lyrical quality to the choral writing paired with brass that lifts the texture and adds ceremonial weight to the text.

Who it's for

This works well for middle school through adult choirs looking for substantial Christmas programming that includes instrumental color. It's equally suited to church choirs and school ensembles that can field basic brass instrumentation.

How to get the most out of it

  • Balance the brass carefully against the choir; the snare drum adds rhythmic vitality, so let it anchor the ensemble without drowning out the singers.
  • Work the choir's part first in full, then layer in brass sections incrementally so singers don't feel buried by accompaniment.
  • The recorded accompaniment serves as both a rehearsal tool and a reference for interpreting the piece's intended character and pacing.

How to use it

Pair this with simpler unaccompanied carols to create a varied Christmas concert set, or use it as the centerpiece of a program designed around choral-instrumental collaboration. It fits naturally into December concerts at schools or community venues where you want to showcase both singers and available instrumentalists.

Skills your students will build

  • Singing with instrumental accompaniment
  • Blend and balance in mixed ensemble settings
  • Intonation independence from brass parts
  • Ensemble listening and responding to instrumental cues

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