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All That I Can Be: SoundTrax CD

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All That I Can Be Cover Image

All That I Can Be: SoundTrax CD

15 Unison Songs to Build Character and Integrity in Young People

By Sally K. Albrecht and Jay Althouse

Grade: 2--7

Item: 00-21151

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Description
Designed to help build character and integrity in your young singers, All That I Can Be is a vibrant collection of 15 unison songs by the well-known writing team of Sally K. Albrecht and Jay Althouse. Teachers as well as parents will enjoy the lessons that can be learned through this collection of songs. The texts reinforce such concepts as teamwork, punctuality, friendship, respect, and telling the truth. Set in a wide variety of musical styles, the songs may be sung separately or together as a 30-minute program. These songs will teach all who sing and all who listen how important it is to be "All That I Can Be!" The Teacher's Handbook includes reproducible song sheets and word games, programming ideas, and suggestions for additional activities. Recommended for grades 2--7.

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Additional Details
Publisher: Alfred Music
ISBN10: 0-7390-2351-9
ISBN13: 978-0-7390-2351-8
UPC: 038081200729
SKU: 00-21151

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has spent over three decades shaping choral music for young singers, first as Director of School Choral, Vocal, and Elementary Publications at major educational publishers, most recently Alfred Music, and throughout her career as a sought-after clinician and conductor. Her prolific output includes more than 600 choral works and 75 songbooks and musicals, earned her annual ASCAP Special Music Awards since 1987, and established her reputation for integrating movement into choral performance. She has led honor choirs at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976) and the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979). She has taught at Oakland University in Michigan, Jersey City State College in New Jersey, and Meredith College in North Carolina. In 2021, she received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees. She lives in Wake Forest, North Carolina, with her husband, composer and arranger Jay Althouse.

Why we love this

Albrecht and Althouse have crafted a songbook that works as both a character-building curriculum and a genuine musical experience. The breadth of musical styles keeps young singers engaged and gives you real programming flexibility, whether you perform individual songs throughout the year or build toward a cohesive 30-minute concert. Teachers appreciate that the accompanying handbook supplies reproducible materials and practical classroom extensions, so the songs become entry points for deeper discussions about integrity, teamwork, and respect.

What to expect

Bright, earnest, and varied. The songs balance contemporary musical styles with accessible unison writing, creating moments of genuine warmth without condescension. You'll hear everything from folk and pop influences to jazz and world music idioms, each supporting lyrics about friendship, honesty, and self-worth with music that feels fresh to young singers.

Who it's for

General music teachers and classroom instructors working with grades 2 through 7 who want songs that address character development alongside solid musicianship. This collection also works well for school assemblies, parent events, and community performances where both content and music quality matter.

How to get the most out of it

  • Teach the songs in the order that best matches your classroom or ensemble's current character focus rather than the songbook's sequence; one song on friendship might resonate more powerfully when your group is navigating peer relationships.
  • Use the varied musical styles to your advantage by letting each song's genre inform performance choices; a song in a jazz style will need different articulation and swing feel than one written in a folk idiom.
  • Pair the recorded accompaniment with repeated listening so singers internalize melody and rhythm before rehearsal, leaving class time for discussions about lyrical meaning and character themes.
  • Layer simple movement or gesture into performance where the text invites it, honoring Albrecht's signature approach to choral singing and giving younger students an additional memory anchor for lyrics.

How to use it

Build a concert around character themes by selecting 4-6 songs and framing each set with a short introduction about that month's focus (teamwork in September, kindness in October, and so on). Alternatively, use individual songs as opening or closing pieces for assemblies, or weave them throughout the year as part of your broader social-emotional learning curriculum.

Skills your students will build

  • Singing unison melodies with independence and clarity
  • Responding to different musical styles and genres within a single collection
  • Connecting lyrical content to personal character and values
  • Sight-reading notation across varied rhythmic patterns and melodic contours
  • Performing with expressive awareness of text meaning

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