All That Holiday Stuff! Cover Image

All That Holiday Stuff!: TTBB Choral Octavo

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All That Holiday Stuff! Cover Image

All That Holiday Stuff!: TTBB Choral Octavo

Words and music by Andy Beck

Item: 00-51129

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Description
New voicing and a SoundPax! An opening solo sets the stage for what unfurls into a pizzazzy listicle of holiday decorations, characters, treats, attire . . . stuff! Andy's musical theater style shines from the moment the curtain parts to the final kickline. This holiday showstopper craves choreography, so check out the free ChoreoTrax or design your own razzmatazz routine. A sparkling, twinkling gem of jolly that pulls out all the stops!

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 16
UPC: 038081581668
SKU: 00-51129

More about this title

About the Composer: Andy Beck

Andy Beck

Andy Beck leads choral publications at Alfred Music, where he oversees a catalog of over 450 choral works, vocal resources, and children's musicals. His compositions and arrangements span styles from concert literature to musical theater, and his work appears regularly on stages and in classrooms worldwide. Beck holds degrees in Music Education from Ithaca College and Northwest Missouri State University, and he has authored several choral resources focused on sight-singing and vocal technique.

Beyond the page, Beck serves as guest conductor, choreographer, adjudicator, and clinician for music educators across the United States and internationally. He has been commissioned by honor choirs of all ages, including all-state ensembles throughout the Southeast. A trained tenor and experienced musical theater director, Beck brings both performance expertise and pedagogical depth to everything he creates. His work with Alfred Music studio singers since 1992 and his ongoing involvement with the North Carolina Master Chorale Chamber Choir reflect his commitment to choral artistry at every level.

Why we love this

Beck writes music that wants to move bodies as much as voices. This arrangement strips away any pretense of sophistication and leans hard into the joy of novelty and humor, which TTBB singers (especially those reluctant to embrace the fun) actually need permission to embrace fully. The theatrical framing gives your ensemble permission to commit to choreography and staging without apology.

What to expect

Imagine the energy of a Broadway warm-up number translated into a holiday package. Bright, confident, and unapologetically fun, the piece builds from an intimate solo moment into a full ensemble celebration complete with choreographed flair. The musical theater vocabulary shines in every phrase; this is music that bounces and winks at the audience.

Who it's for

TTBB choirs seeking a concert opener that works for mixed-age ensembles, including those with limited staging experience. Directors who want their men to have fun singing while building confidence in novelty and theatrical repertoire. Any group ready to add movement and choreography as essential elements of the performance, not optional extras.

How to get the most out of it

  • Commit fully to the solo opener. It sets the tone for the entire piece, so choose a soloist who can deliver comedy and warmth in equal measure.
  • Use the free ChoreoTrax as a starting point rather than a prescription. Your ensemble will own the piece more completely if they help design movement choices alongside the music.
  • Keep the rhythmic energy crisp and light, especially during the list sections. Over-singing here kills the pizzazz; clarity and articulation matter more than volume.
  • Balance the sparkle throughout by emphasizing text clarity above all else. The humor lives in what the audience hears and understands, not in vocal power.

How to use it

Lead with this as your opening number at a holiday concert. Its theatrical setup and built-in movement make it ideal for establishing an engaging, audience-friendly tone before moving into more reflective pieces. It also works beautifully as the anchor for a variety show or themed cabaret where novelty items and comedy transitions are part of the programming logic.

Skills your students will build

  • Rhythmic precision in light, playful tempos
  • Clear articulation and diction in humorous text
  • Coordination of singing and choreographed movement
  • Ensemble blend while maintaining individual phrase clarity
  • Confidence performing novelty and theatrical repertoire

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