Accent on Performance Concert Favorites Collection Cover Image

Accent on Performance Concert Favorites Collection: F Horn Book

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Accent on Performance Concert Favorites Collection: F Horn Book

22 Full Band Arrangements Correlated to Accent on Achievement

By John O'Reilly and Mark Williams

Item: 00-41382

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Description
Over the course of ten years, legendary young-band composers John O'Reilly and Mark Williams composed and arranged over 100 creative works that correlate with specific pages in their highly successful band method, Accent on Achievement. Alfred Music is now proud to make these arrangements available in a book format that includes 22 full arrangements in each collection.

The Concert Favorites Collection features all original compositions composed in a variety of contemporary styles. Titles: Centurian * The Lost Kingdom * Cardiff Castle * Windstar Overture * Attack of the Cyclops * Knights Kingdom * and 16 others.

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Additional Details
Series: Accent on Performance
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-9825-X
ISBN13: 978-0-7390-9825-7
UPC: 038081462752
SKU: 00-41382
Instrumentation: F Horn

More about this title

About the Composer: John O'Reilly

John O'Reilly is a legendary composer and arranger who has shaped the landscape of young band repertoire for decades. His collaborative work with Mark Williams on the Accent on Achievement method and its corresponding performance collections has influenced music education across thousands of schools, earning him recognition as one of the most performed composers in the concert band world.

Why we love this

This collection bridges method book learning to actual concert performance in a seamless, intentional way. Each arrangement sits at an accessible level while delivering genuine musical substance, so your horn section gets to play real music that sounds polished from the first rehearsal. The variety of contemporary styles keeps players engaged and gives you flexible programming options throughout the year.

What to expect

These arrangements crackle with energy and imagination. You'll encounter swaggering march rhythms, shimmering contemporary patterns, and moments of genuine lyricism, all written with the young player's voice in mind. The horn part stays in a comfortable range yet gets real musical moments to shine alongside the ensemble.

Who it's for

Horn players in young concert bands (typically grades 2-4) who are moving beyond basic method book exercises and ready for full ensemble arrangements. Directors seeking performance material that aligns directly with students' reading level while building musicianship will find these pieces ideal for festivals, concerts, and special programs throughout the year.

How to get the most out of it

  • Balance the horn's natural tendency to play sharp in the upper register with dynamic control; mark passages where you need to adjust pitch slightly downward to stay centered in the ensemble.
  • Pay attention to style markings beyond tempo indications. These arrangements shift between march figures, contemporary dance rhythms, and lyrical passages, so commit fully to the character of each section rather than playing them generically.
  • Lock section voicing on sustained chords and long tones. Horn tends to drift when holding harmony, so use brief eye contact or slight breath timing cues with other horns to maintain intonation across full measures.

How to use it

Use individual selections from this collection as standalone concert openers, interludes, or fillers that require minimal rehearsal time once your band knows the material. The 22 titles give you enough variety to pull one or two pieces for informal performances, pep band events, or to rotate through the year as supplementary repertoire alongside your primary concert program.

Skills your students will build

  • Reading accidentals and key signature changes across contemporary styles
  • Sustaining intonation in harmonic passages with multiple horn voices
  • Responding to style and character cues beyond standard tempo markings
  • Maintaining consistent tone quality across the horn's practical range
  • Balancing section dynamics in ensemble contexts without doubling

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