Accent on Performance Concert Favorites Collection Cover Image

Accent on Performance Concert Favorites Collection: Baritone Treble Clef Book

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Accent on Performance Concert Favorites Collection: Baritone Treble Clef Book

22 Full Band Arrangements Correlated to Accent on Achievement

By John O'Reilly and Mark Williams

Item: 00-41377

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Description
Over the course of ten years, legendary young-band composers John O'Reilly and Mark Williams composed and arranged over 100 creative works that correlate with specific pages in their highly successful band method, Accent on Achievement. Alfred Music is now proud to make these arrangements available in a book format that includes 22 full arrangements in each collection.

The Concert Favorites Collection features all original compositions composed in a variety of contemporary styles. Titles: Centurian * The Lost Kingdom * Cardiff Castle * Windstar Overture * Attack of the Cyclops * Knights Kingdom * and 16 others.

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Additional Details
Series: Accent on Performance
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-9820-9
ISBN13: 978-0-7390-9820-2
UPC: 038081462707
SKU: 00-41377
Instrumentation: Baritone Treble Clef

More about this title

About the Composer: John O'Reilly

John O'Reilly is a composer and educator who has shaped young band repertoire for decades through his work with Mark Williams on the Accent on Achievement method series. His compositions for developing bands balance accessibility with musical substance, creating pieces that engage students while building foundational performance skills.

Why we love this

These arrangements give baritone players substantial, character-driven material at a time when their part books often receive thinner voicing. The collection spans genuine musical styles rather than generic band fare, so students play music with personality while staying comfortably within their technical range.

What to expect

These pieces deliver immediate musical satisfaction. Titles like Attack of the Cyclops and Knights Kingdom signal descriptive, energetic writing that captures student imagination, while overtures and fantasies offer orchestral sweep and lyrical moments that make baritone feel like a featured voice rather than a supporting one.

Who it's for

Baritone players in a concert band setting who are ready for more substantial solo writing beyond unison parts. This collection works for middle school through early high school ensembles that use Accent on Achievement or simply need reliable, musically engaging concert band music at this level.

How to get the most out of it

  • Listen carefully to the bass line and low brass section to lock your rhythmic foundation, especially in the overtures and march-style pieces where baritone supports harmonic movement.
  • Watch the dynamic arc of each piece closely; these arrangements use baritone to shift color and weight within the middle voice range, so gradual crescendos and controlled diminuendos matter.
  • Approach the varied styles as distinct musical languages. A contemporary arrangement like Windstar Overture calls for a different articulation and phrasing approach than a fantasy or march.

How to use it

Use individual selections to punctuate a concert with variety and pacing. A single arrangement fits naturally into a mixed program of band standards and method-book excerpts, or program several from the collection as a thematic set to showcase how your baritone section has developed over a season.

Skills your students will build

  • Balance and blend within a three-part middle voice texture
  • Style-specific articulation in contemporary, fantasy, and march idioms
  • Dynamic control across a wider range of musical contexts
  • Reading and executing syncopated rhythmic figures
  • Sustained tone production under extended passage work

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