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Accent on Performance Classical Collection: Baritone Saxophone Book

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Accent on Performance Classical Collection Cover Image

Accent on Performance Classical Collection: Baritone Saxophone Book

22 Full Band Arrangements Correlated to Accent on Achievement

Arr. John O'Reilly and Mark Williams

Item: 00-41298

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Description
Over the course of ten years, legendary young-band composers John O'Reilly and Mark Williams composed and arranged over 100 creative works that correlate with specific pages in their highly successful band method, Accent on Achievement. Alfred Music is now proud to make these arrangements available in a book format that includes 22 full arrangements in each collection.

The Classical Collection includes authentic, carefully arranged music of the master composers from the Renaissance through the Romantic Period. Titles: Elizabethan Dances * Mozart Serenade and Dance * St. Anthony Chorale * Best of Beethoven * Ave Verum Corpus * Saturday at the Symphony * and 16 others.

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Additional Details
Series: Accent on Performance
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-9741-5
ISBN13: 978-0-7390-9741-0
UPC: 038081461915
SKU: 00-41298
Instrumentation: Baritone Saxophone

More about this title

About the Arranger: John O'Reilly

John O'Reilly has shaped instrumental music education for decades as a composer and arranger whose work bridges method books and performance literature. His partnership with Mark Williams on the Accent on Achievement series created a pedagogical foundation used by thousands of band directors, and his arrangements have become essential repertoire for students making the leap from fundamentals to genuine musical expression.

O'Reilly's approach to arranging treats classical masterworks not as distant museum pieces but as living music that belongs in the hands of developing musicians. His voicings respect the capabilities and interests of young players while maintaining the integrity and character of the original compositions.

Why we love this

These arrangements solve a real challenge: finding classical literature that is musically substantial and stylistically authentic without overwhelming younger baritone saxophonists. O'Reilly and Williams wrote with deep knowledge of what students can accomplish at each level, so the voicing, pacing, and technical demands feel earned rather than simplified. Twenty-two selections give you enough flexibility to program a full classical-themed concert or sprinkle these across the year.

What to expect

These arrangements invite you into conversations between centuries of composers. You'll find the elegant restraint of a Renaissance dance, the symmetrical wit of Mozart, the solemn beauty of a chorale, the drama of Beethoven. As a baritone saxophonist, you're often in the background providing harmonic foundation, but that role carries profound musical responsibility and quiet satisfaction.

Who it's for

Baritone saxophonists in middle and high school bands who have moved beyond fundamentals and are ready to engage with real classical repertoire. This collection works equally well for students in their first or second year of band as a bridge to concert literature, or for more experienced players building classical literacy and stylistic range.

How to get the most out of it

  • Treat phrasing and articulation as interpretive choices. These arrangements inherit the style of their source material; listen to how the original composer intended phrases to breathe, then adapt that sensibility to the baritone sax voice.
  • Balance your volume awareness against the rest of the band. As the lower voice in many arrangements, your job is often to anchor harmony and provide support rather than carry the melodic line. Listen outward constantly.
  • Pay attention to any stylistic markings specific to each era (Baroque clarity, Classical grace, Romantic expression). Each collection title signals a period with distinct conventions worth exploring.
  • Work through dynamics and accents with intentionality. The difference between a marked accent and unmarked articulation is often what gives classical music its character and direction.

How to use it

Create a classical-themed concert where each section of the evening showcases a different historical period, with these arrangements as your core repertoire. Alternatively, scatter selections throughout the year as connective tissue alongside contemporary works, helping students understand the classical vocabulary that later composers built upon. These pieces also work beautifully in chamber settings when players perform smaller groupings with their section mates.

Skills your students will build

  • Reading and performing music across Renaissance, Baroque, Classical, and Romantic style periods
  • Balancing harmonic voices as a foundational rather than melodic instrument
  • Responding to period-appropriate articulation and phrasing conventions
  • Sustaining long, lyrical lines with consistent tone and dynamic control
  • Understanding the relationship between classical orchestral writing and band arrangement

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