Accent on Ensembles, Book 2 Cover Image

Accent on Ensembles, Book 2: Mallet Percussion Book

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Accent on Ensembles, Book 2 Cover Image

Accent on Ensembles, Book 2: Mallet Percussion Book

Duets, Trios and Quartets for Flexible Instrumentation Correlated with Accent on Achievement, Book 2

By John O'Reilly and Mark Williams

Item: 00-20634

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Accent on Ensembles is an exciting book of duets, trios and quartets for flexible instrumentation that correlates with Accent on Achievement, Book 1. Use these ensembles to develop confidence in young players and as a valuable resource for music during contest season. Since the instrumentation is flexible, any combination of instruments can play together. Accent on Ensembles, Book 2 is an exciting book of duets, trios and quartets for flexible instrumentation that correlates with Accent on Achievement, Book 2. Titles: Give My Regards to Broadway * Dona Nobis Pacem * Trumpet Tune * Vicksburg March * Londonderry Air * Stephen Foster Fantasy * De Colores * Stompin' Feet Blues * Medieval Festival.

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Additional Details
Series: Accent on Achievement
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-2700-X
ISBN13: 978-0-7390-2700-4
UPC: 038081196749
SKU: 00-20634
Instrumentation: Mallet Percussion

More about this title

About the Authors

John O'Reilly

Mark Williams
Mark Williams stands among the most accomplished composers for school bands and orchestras. He co-authored the widely used Accent on Achievement Band Method and published more than 200 compositions throughout his career. Based in Washington state for much of his professional life, he specialized in elementary band instruction and held degrees in Education from Eastern Washington University, including both a Bachelor of Arts and Master of Education.

His work earned significant recognition in the music education community. Williams received the Western International Band Clinic's Gralia Competition award and multiple ASCAP Special Awards for his contributions to band, orchestra, and choral music. As a clinician and guest conductor, he presented his work across 34 states, five Canadian provinces, and Australia, bringing his expertise to musicians nationwide.

Beyond composing and teaching, Williams maintained an active performance career as a bassoonist and arranger. He served as woodwind performer and arranger for the 560th Air Force Band and held the position of Conductor and Artistic Director for the Spokane British Brass Band, demonstrating his versatility across multiple musical roles.

Why we love this

These mallet percussion parts give your percussion section real music to play rather than filler parts. The flexible instrumentation means you can write for whoever shows up on any given rehearsal day, and the pieces correlate directly with your band's main method book, so reading levels stay aligned with what students are already learning.

What to expect

A mix of familiar melodies and march-like energy that keeps young percussionists engaged. The arrangements move between straightforward unison lines, gentle overlapping passages, and moments where mallets carry the melody, offering variety without requiring advanced technical facility.

Who it's for

Mallet players in beginning band programs who are ready for ensemble work beyond method book exercises. This book serves players roughly at the Book 2 level who benefit from context-specific parts that match their band's concurrent repertoire and skill trajectory.

How to get the most out of it

  • Balance mallet selection to the character of each tune; harder mallets bring brightness to the march sections, while softer ones suit the lyrical passages in 'Londonderry Air' and 'Dona Nobis Pacem'.
  • Lock the rhythm section by having mallets and bass line establish the pulse together from the first rehearsal of each arrangement.
  • Adjust dynamic markings based on your ensemble's balance; mallet percussion can easily overwhelm thinner instrumentation in smaller groups.
  • Work the blues section in 'Stompin' Feet Blues' as a special rehearsal item, since the syncopation and swing feel may differ from the mostly straightforward rhythms elsewhere in the book.

How to use it

Pull duets and trios for sectional rehearsals or small ensemble festivals when you need focused percussion work. The quartets work well as warm-up or enrichment pieces during regular rehearsals, and the collection supplies contest-ready material that your mallets can prepare alongside the full band's concurrent selections.

Skills your students will build

  • Reading rhythmic figures in coordination with other percussion parts
  • Playing melodic material on pitched percussion instruments
  • Balancing articulation and tone across multiple mallets playing together
  • Adapting mallet choices and dynamics to ensemble context

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