Accent on Ensembles, Book 2 Cover Image

Accent on Ensembles, Book 2: E-flat Alto Clarinet Book

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Accent on Ensembles, Book 2 Cover Image

Accent on Ensembles, Book 2: E-flat Alto Clarinet Book

Duets, Trios and Quartets for Flexible Instrumentation Correlated with Accent on Achievement, Book 2

By John O'Reilly and Mark Williams

Item: 00-20631

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Description
Accent on Ensembles is an exciting book of duets, trios and quartets for flexible instrumentation that correlates with Accent on Achievement, Book 1. Use these ensembles to develop confidence in young players and as a valuable resource for music during contest season. Since the instrumentation is flexible, any combination of instruments can play together. Accent on Ensembles, Book 2 is an exciting book of duets, trios and quartets for flexible instrumentation that correlates with Accent on Achievement, Book 2. Titles: Give My Regards to Broadway * Dona Nobis Pacem * Trumpet Tune * Vicksburg March * Londonderry Air * Stephen Foster Fantasy * De Colores * Stompin' Feet Blues * Medieval Festival.

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Additional Details
Series: Accent on Achievement
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-2697-6
ISBN13: 978-0-7390-2697-7
UPC: 038081196718
SKU: 00-20631
Instrumentation: E-flat Alto Clarinet

More about this title

About the Authors

John O'Reilly

Mark Williams
Mark Williams stands as a leading composer in the educational music field, with a particular focus on school bands and orchestras. A Chicago native who spent his formative years in Spokane, Washington, he earned both his Bachelor of Arts in Education and Master of Education from Eastern Washington University. His extensive teaching career in Washington centered on elementary band instruction, and he also performed as a woodwind musician and arranger with the 560th Air Force Band.

Williams' compositional output includes over 200 published works alongside his role as co-author of the Accent on Achievement Band Method. His achievements in composition earned him recognition including the Gralia Competition from the Western International Band Clinic and multiple ASCAP Special Awards. These honors reflect his significant contributions to music written for band, orchestra, and choir.

Beyond composing, Williams maintained an active presence as both clinician and guest conductor, visiting 34 states, five Canadian provinces, and Australia throughout his career. He regularly performed on bassoon and served as Conductor and Artistic Director for the Spokane British Brass Band, combining his passion for performance with his leadership in the musical community.

Why we love this

This book delivers the exact ensemble experiences your young players need when they're ready to move beyond method book exercises. The flexible instrumentation means you can actually form working ensembles from whatever instruments show up on any given rehearsal day, and the nine titles span folk songs, marches, and blues that students recognize and enjoy playing together.

What to expect

Accessible and buoyant. The arrangements prioritize singable melodies and straightforward harmony, giving students the feeling that they can actually make real music happen together. The mix of marches, folk tunes, and lighthearted blues creates variety that keeps rehearsals engaging without overwhelming young players.

Who it's for

Alto clarinet players working through Accent on Achievement, Book 2 who are ready to collaborate in small ensembles. These arrangements work well for students in grades 4-6 with at least one year of playing experience and a solid foundation in their method book fundamentals.

How to get the most out of it

  • Start with the shorter duets to build confidence in blend and balance before advancing to the trios and quartets, which require more independent part-writing.
  • Use these pieces during the first run-through to establish how you want the ensemble to handle articulation and phrase shape across similar passage types.
  • Rotate the lead part among your players so everyone gains experience carrying a melody and supporting from different positions.

How to use it

Pull these out during contest season when you need shorter, confidence-building pieces that let your younger section members perform in a supportive small ensemble context. They also work beautifully as warm-up or filler material between larger ensemble rehearsals, giving students ownership over the music-making process.

Skills your students will build

  • Balancing melodic and harmonic roles within small ensembles
  • Reading parts in isolation while listening to multiple simultaneous lines
  • Intonation adjustment across different instrument combinations
  • Maintaining steady tempo with minimal conductorial support
  • Phrasing and articulation consistency across repeated passages

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