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Accent on Ensembles, Book 2: Conductor Score

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Accent on Ensembles, Book 2: Conductor Score

Duets, Trios and Quartets for Flexible Instrumentation Correlated with Accent on Achievement, Book 2

By John O'Reilly and Mark Williams

Item: 00-20629

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Accent on Ensembles is an exciting book of duets, trios and quartets for flexible instrumentation that correlates with Accent on Achievement, Book 1. Use these ensembles to develop confidence in young players and as a valuable resource for music during contest season. Since the instrumentation is flexible, any combination of instruments can play together. Accent on Ensembles, Book 2 is an exciting book of duets, trios and quartets for flexible instrumentation that correlates with Accent on Achievement, Book 2. Titles: Give My Regards to Broadway * Dona Nobis Pacem * Trumpet Tune * Vicksburg March * Londonderry Air * Stephen Foster Fantasy * De Colores * Stompin' Feet Blues * Medieval Festival.

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Additional Details
Series: Accent on Achievement
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7390-2695-X
ISBN13: 978-0-7390-2695-3
UPC: 038081196695
SKU: 00-20629
Instrumentation: Conductor's Score

More about this title

About the Authors

John O'Reilly

Mark Williams
Mark Williams established himself as one of the most prolific composers for school bands and orchestras, with more than 200 published compositions to his name. A native of Chicago who spent his formative years in Spokane, Washington, he dedicated much of his career to music education in Washington state, with particular focus on elementary band instruction. He holds both a Bachelor of Arts in Education and a Master of Education from Eastern Washington University.

Williams gained recognition for his work as co-author of the Accent on Achievement Band Method, a significant contribution to music pedagogy. His compositions across band, orchestra, and choral settings earned him multiple accolades, including the Western International Band Clinic's Gralia Competition and several ASCAP Special Awards. His influence extended nationally and internationally through extensive clinician and guest conductor work across 34 states, 5 Canadian provinces, and Australia.

Beyond composition and education, Williams maintained an active performance schedule on bassoon and served as Conductor and Artistic Director for the Spokane British Brass Band. He also contributed as a woodwind performer and arranger during his service with the 560th Air Force Band.

Why we love this

This conductor score gives you a complete road map for coaching chamber combinations within your larger ensemble, turning sectional rehearsals into focused musical work rather than isolated technical drills. The nine titles span recognizable repertoire (Broadway, folk standards, blues) and original pieces, so students hear themselves making real music while building intonation and balance skills they'll use in full band.

What to expect

A collection that moves from American popular song to hymn-like tranquility to folk traditions and blues grooves. Students experience the satisfaction of sounding polished in duets and trios, where their individual sound matters and mistakes are immediately audible, creating natural accountability and focus.

Who it's for

Conductors of middle and high school bands who need flexible, engaging small ensemble literature that builds musicianship alongside technical skills. Directors running contests, festivals, or solo and ensemble programs benefit from the variety of styles and the freedom to change instrumentation based on available players.

How to get the most out of it

  • Rotate instrumentation assignments during rehearsals so players understand how each voice functions in different contexts; a trumpet in the melody learns differently when paired with woodwinds than with brass.
  • Balance the score by ear first, then adjust dynamics in context; young players often push the melody too hard without realizing how the accompaniment needs breathing room.
  • Use ensemble rehearsals as a stepping stone between individual practice and full band; the smaller group allows you to address intonation problems and phrase shape before bringing them into a forty-piece section.
  • Mark tempo relationships in your conductor score before rehearsal so you can demonstrate stylistic differences between "Give My Regards to Broadway" and "Londonderry Air" with the same group.

How to use it

Schedule these ensembles during contest season to build morale and confidence; nothing lifts a band's spirit like hearing a trio of their own students nail a tight arrangement of "Vicksburg March." Use them in sectional rehearsals to diagnose balance and intonation issues across your instrumentation, then bring those skills back to full band repertoire.

Skills your students will build

  • Listening and balance in small ensemble settings
  • Melodic phrasing in multiple voice combinations
  • Intonation awareness with fewer instruments masking tuning problems
  • Reading and executing flexible instrumentation (doubling parts, adjusting from treble to bass clef ranges)
  • Ensemble independence and sectional confidence before full band rehearsal

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