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Accent on Christmas & Holiday Ensembles: E-flat Alto Sax/Bari Sax Book

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Accent on Christmas & Holiday Ensembles Cover Image

Accent on Christmas & Holiday Ensembles: E-flat Alto Sax/Bari Sax Book

Duets and Trios for Flexible Instrumentation Correlated with Accent on Achievement, Book 1

By John O'Reilly and Mark Williams

Item: 00-22232

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Accent on Christmas & Holiday Ensembles is an exciting book of duets, trios, and quartets for flexible instrumentation that correlates with Accent on Achievement, Book 1. Since the instrumentation is flexible, any combination of instruments can play together.

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Additional Details
Series: Accent on Achievement
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-3356-5
ISBN13: 978-0-7390-3356-2
UPC: 038081226132
SKU: 00-22232
Instrumentation: E-flat Alto Sax/Bari Sax

More about this title

About the Authors

John O'Reilly

Mark Williams
Mark Williams stands among the most prolific composers for school instrumental ensembles. He co-authored the influential Accent on Achievement Band Method and saw over 200 of his compositions published. His work spans bands, orchestras, and choirs, establishing him as a significant figure in music education.

Throughout his career, Williams earned recognition for his contributions to the field. His accolades include the Western International Band Clinic's Gralia Competition and multiple ASCAP Special Awards. As a clinician and guest conductor, he shared his expertise across 34 states, five Canadian provinces, and Australia, making him a sought-after presence in music education circles.

Williams spent many years teaching music in Washington state, where he focused particularly on elementary band instruction. He holds a Bachelor of Arts in Education and Master of Education from Eastern Washington University. Beyond his compositional and educational work, Williams has been an active performer on bassoon and served as Conductor and Artistic Director for the Spokane British Brass Band. His service also includes time as a woodwind performer and arranger for the 560th Air Force Band.

Why we love this

This collection solves a real problem for directors working with the Accent on Achievement curriculum: holiday music that actually matches the students' current reading level and instrumental capability. The flexible instrumentation means you're not scrambling to find alternative parts or leaving students sitting out during seasonal programming.

What to expect

Festive and approachable. These arrangements capture holiday warmth without requiring advanced fingering technique or complex rhythmic patterns. The flexible groupings create a sense of community and shared purpose, whether students are playing in pairs or small ensembles.

Who it's for

Band directors teaching Book 1 of Accent on Achievement who want authentic holiday repertoire aligned with their students' current technical level. Alto and baritone saxophone players in grades 5-8 will find parts that sit comfortably in their range while allowing room for musical growth.

How to get the most out of it

  • Balance the parts by rotating who plays the melody during the duets and trios; this keeps all students engaged and gives everyone a chance to lead.
  • Use these pieces as informal ensemble-building exercises before tackling larger band arrangements; the intimate setting helps students listen to each other across different saxophone voicings.
  • Have students mark their own entrances and cutoffs in pencil during rehearsal, reinforcing independent reading skills in small group settings.

How to use it

Weave these throughout your December concert season as standalone small ensemble moments between full band selections, or use them in sectional rehearsals to build confidence and intonation within the saxophone section. They work equally well for winter assembly performances, informal concerts, or as reading practice material that doubles as seasonal programming.

Skills your students will build

  • Reading duet, trio, and quartet parts with clear voice independence
  • Balancing dynamics and tone within small ensemble voicings
  • Listening and blending with peers playing the same instrument
  • Counting and maintaining steady tempo without conductor support

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