Accent on Christmas & Holiday Ensembles Cover Image

Accent on Christmas & Holiday Ensembles: Bassoon/Electric Bass Book

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Accent on Christmas & Holiday Ensembles Cover Image

Accent on Christmas & Holiday Ensembles: Bassoon/Electric Bass Book

Duets and Trios for Flexible Instrumentation Correlated with Accent on Achievement, Book 1

By John O'Reilly and Mark Williams

Item: 00-22229

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Description
Accent on Christmas & Holiday Ensembles is an exciting book of duets, trios, and quartets for flexible instrumentation that correlates with Accent on Achievement, Book 1. Since the instrumentation is flexible, any combination of instruments can play together.

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Additional Details
Series: Accent on Achievement
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-3353-0
ISBN13: 978-0-7390-3353-1
UPC: 038081226101
SKU: 00-22229
Instrumentation: Bassoon/Electric Bass

More about this title

About the Authors

John O'Reilly

Mark Williams
Mark Williams established himself as a leading composer specializing in music for school bands and orchestras. A Chicago native who came of age in Spokane, Washington, he devoted his career to music education and composition. He earned both a Bachelor of Arts in Education and a Master of Education from Eastern Washington University and served as a woodwind performer and arranger for the 560th Air Force Band.

Over the course of his prolific career, Williams composed more than 200 published works across multiple genres. He co-authored the Accent on Achievement Band Method, a significant contribution to music pedagogy. His compositions and arrangements earned him recognition including the Western International Band Clinic's Gralia Competition and multiple ASCAP Special Awards.

Williams built an impressive international profile as a clinician and guest conductor, presenting in 34 states, five Canadian provinces, and Australia. Throughout his years teaching music in Washington schools with a focus on elementary band, he also performed regularly as a bassoon player. He served as Conductor and Artistic Director for the Spokane British Brass Band, maintaining an active performance schedule alongside his composing and educational endeavors.

Why we love this

These arrangements give your bassoonists and electric bass players genuine ensemble moments during holiday season concerts, not an afterthought. The flexible instrumentation means you can cover missing instruments, support weak sections, or create interesting sonorities without scrambling for substitute parts.

What to expect

These arrangements deliver the warmth and familiarity of holiday standards wrapped in accessible harmonies and straightforward rhythmic structures. Whether you're hearing duets in chamber-like intimacy or fuller quartets with rhythmic drive, the writing respects the character of each piece while keeping players engaged.

Who it's for

This book serves directors building ensembles with incomplete instrumentation or multiple bassoons and bass players needing substantial material. It works equally well for elementary and middle school bands, private studio groups, or advanced elementary programs following the Accent on Achievement curriculum.

How to get the most out of it

  • Balance the electric bass with acoustic bassoon in mixed duets by adjusting amplification; the goal is blend, not one drowning the other out.
  • Lock rhythm section entries tightly in trios and quartets; holiday arrangements often rely on clear pulse to carry the melodic lines above.
  • Communicate phrasing across the flexible parts so that whichever combination of instruments you use performs with musical intention, not just technical accuracy.

How to use it

Slot these into holiday concerts as warm-ups before full-band numbers, or break them out during rehearsals as sectional enrichment that keeps lower woodwinds and bass players invested. They're equally useful as pre-concert rehearsal material in December when full attendance is unreliable.

Skills your students will build

  • Playing in flexible ensemble contexts without doublings
  • Balancing acoustic and amplified instruments
  • Maintaining rhythmic independence within small ensemble textures
  • Adapting to changing instrumentation mid-rehearsal
  • Reading and performing familiar holiday melodies with stylistic awareness

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