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A Rhythm a Week for Band: B-flat Clarinet/Bass Clarinet Book

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A Rhythm a Week for Band Cover Image

A Rhythm a Week for Band: B-flat Clarinet/Bass Clarinet Book

Based on A Rhythm a Day by Igor Hudadoff

By Anne C. Witt

Item: 00-ELM01027

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Description
Dr. Anne Witt has developed an effective tool to encourage the mastery of common rhythms for today's band student. Based on Igor Hudadoff's A Rhythm a Day, Witt's method targets the specific rhythmic problems and focuses on learning isolated rhythmic examples with 52 rhythm units in unison using major and minor scales. No band musician's folder should be without this invaluable resource!

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Additional Details
Publisher: Alfred Music
Page Count: 28
ISBN10: 0-7579-7886-X
ISBN13: 978-0-7579-7886-9
UPC: 654979021711
SKU: 00-ELM01027
Instrumentation: B-flat Clarinet/Bass Clarinet

More about this title

About the Author: Anne C. Witt

Anne C. Witt

Anne C. Witt brings two decades of direct classroom experience to rhythm pedagogy. She taught orchestra and strings at the middle and high school levels in Austin for fourteen years, then spent eight years teaching strings and music education at the University of Texas at Arlington. Her work has extended to university leadership roles, guest conducting at All-Region and All-State orchestras across Texas, and presentations at national conferences including MENC, the American String Teachers Association, and the Midwest Clinic.

Witt's publishing record demonstrates her focus on practical teaching solutions. She is the author of A Rhythm a Week, the foundational resource on which this B-flat clarinet edition is based, and co-authored Teaching Stringed Instruments: A Course of Study. Currently serving as Adjunct Professor of Music Education at the University of Alabama School of Music, she continues to develop materials informed by classroom testing and director feedback. She holds degrees from the University of Alabama and the University of Texas at Austin, where she earned both her Master's and doctoral degrees.

Why we love this

This clarinet-specific adaptation of Witt's proven rhythm framework gives your section a focused, daily tool that zeroes in on the rhythmic patterns that actually cause problems in band rehearsals. Fifty-two units organized for unison practice means your clarinet section builds ensemble precision while each player masters the exact figures they'll encounter in standard repertoire. The major and minor scale approach grounds each rhythm in harmonic context rather than isolation, making the work immediately transferable to concert music.

What to expect

Each unit feels like a small puzzle that clicks into place once the rhythmic pattern sits securely in your fingers and ears. The unison framework creates immediate musical payoff; playing together in rhythm produces instant, tangible sound that reinforces the learning. Moving between major and minor scale contexts keeps the work fresh while deepening understanding of how rhythm lives differently in major and minor harmonic environments.

Who it's for

This book serves B-flat clarinet and bass clarinet players in middle school through early high school band programs who need targeted rhythm work without additional ensemble transcription. It works equally well for sections struggling with specific figures and for those preparing for festival or contest repertoire. Private clarinet students in band-focused studios also benefit from the structured, isolated approach.

How to get the most out of it

  • Assign one rhythm unit per week and rotate who leads the section in unison; this builds collective ownership of the material and strengthens individual confidence.
  • After students master a unit, have clarinet and bass clarinet read it together; the register shift requires the same rhythmic integrity they've developed but adds textural variety.
  • Use the scale component to reinforce intonation on chromatic intervals within each unit; rhythm and pitch stability are inseparable in clarinet playing.
  • Record a section run-through of a completed unit and play it back in the next rehearsal; students hear the difference between approximate and secure ensemble rhythm.

How to use it

Begin your clarinet section rehearsal time with a single unit each week, using the first five minutes to ensure mastery before moving to concert music; this consistent warm-up builds rhythmic literacy steadily across the school year. Pair units with technical passages in your programmed repertoire so students recognize the rhythms they've isolated and practiced in actual performance contexts. For sections with significant rhythm challenges, use two units per week (one familiar, one new) to accelerate fluency without overwhelming players.

Skills your students will build

  • Rhythmic precision in unison ensemble playing
  • Recognition and execution of common rhythm patterns across major and minor tonalities
  • Sight-reading fluency for standard band repertoire figures
  • Intonation stability on chromatic scale passages within rhythmic contexts
  • Independence within section ensemble texture (especially for bass clarinet players reading in lower register)

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