42nd Street Cover Image

42nd Street: SATB Choral Octavo

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42nd Street Cover Image

42nd Street: SATB Choral Octavo

Words by Al Dubin, music by Harry Warren / arr. Carl Strommen

Item: 00-CH9905

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Description
Harry Warren was one of the great songwriters of the 30s. Classic movie buffs will recall the scene of Dick Powell and Ruby Keeler tap dancing on the top of a taxi cab in the movie version of "Forty Second Street." A fantastic Strommen arrangement!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, 42nd Street: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 029156957938
SKU: 00-CH9905

More about this title

About the Composer: Harry Warren

Harry Warren (1893-1981) was one of Hollywood's most prolific and celebrated songwriters, composing for over 40 films during the Golden Age of cinema. His melodies were crafted to be both singable and sophisticated, combining jazz-influenced harmonies with memorable hooks that made songs like "42nd Street," "Lullaby of Broadway," and "Shuffle Off to Buffalo" standards of the American songbook.

Warren's gift was his ability to write music that served the drama of a scene while standing on its own as a complete song. His work with lyricist Al Dubin on the Forty Second Street score earned him lasting recognition in both theater and film history, and his catalog remains a cornerstone of popular music education.

Why we love this

Carl Strommen's arrangement captures the infectious energy and rhythmic drive of Warren's original without overwhelming a mixed choir. The piece sits comfortably in most ranges and offers enough harmonic interest to keep singers engaged while remaining accessible, making it ideal for repertoire that bridges popular music and choral technique.

What to expect

Bright and propulsive, with the rhythmic swagger of 1930s Broadway. The piece has an almost conversational quality, as if the choir is tapping out the melody with infectious confidence and warmth.

Who it's for

Intermediate to advanced mixed choirs seeking accessible repertoire with genuine musical substance. This arrangement works well for ensembles that want to include recognizable, engaging material without sacrificing choral writing quality.

How to get the most out of it

  • Balance the melodic line across all sections; the tune should float naturally without one voice overwhelming the others.
  • Establish a crisp, buoyant rhythmic foundation in the rhythm section to evoke the tap-dancing energy of the original.
  • Shape the phrase endings with intention rather than letting them drop off; this song thrives on forward momentum.
  • Consider the recorded accompaniment as a rehearsal tool for intonation and blend, then work toward independence from it.

How to use it

Pair this with other standards or show tunes to create a "golden age of song" themed concert, or use it as a lighter moment between more serious works to showcase your ensemble's versatility and joy in singing.

Skills your students will build

  • Balancing melody across voice parts in a homorhythmic arrangement
  • Maintaining rhythmic precision and forward motion in swing-influenced settings
  • Blending with a recorded accompaniment
  • Singing with stylistic authenticity in popular song idioms

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