42nd Street Cover Image

42nd Street: Choral Octavo SoundTrax CD

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42nd Street Cover Image

42nd Street: Choral Octavo SoundTrax CD

Words by Al Dubin, music by Harry Warren / arr. Carl Strommen

Item: 00-24135

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Description
Harry Warren was one of the great songwriters of the 30s. Classic movie buffs will recall the scene of Dick Powell and Ruby Keeler tap dancing on the top of a taxi cab in the movie version of "Forty Second Street." A fantastic Strommen arrangement!

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Additional Details
Publisher: Alfred Music
UPC: 038081262291
SKU: 00-24135

More about this title

About the Composer: Harry Warren

Harry Warren (1893–1981) composed more than 800 songs during his career, making him one of the most prolific songwriters of the Golden Age of Hollywood. His melodies for 1930s film musicals became standards, recorded countless times and still performed regularly in jazz and musical theater settings. Warren's gift for writing memorable, singable tunes with sophisticated harmonic underpinnings made his work a natural fit for choral arrangement.

Why we love this

Carl Strommen's arrangement captures the swagger and energy of the original film while sitting perfectly for mixed voices. The piece brings instantly recognizable Golden Age movie magic to your concert, and the recorded accompaniment makes rehearsal straightforward without requiring a live pianist.

What to expect

Energetic, buoyant, and unmistakably theatrical. The tune practically dances off the page, evoking the glamour and optimism of 1930s Hollywood without a trace of cynicism.

Who it's for

Mixed choral ensembles of intermediate ability and above will find this piece accessible yet rewarding. It works for concert choirs, community choruses, and show choirs looking to add a certified movie classic to their set.

How to get the most out of it

  • Use the recorded accompaniment during rehearsals to lock tempos and section entrances; the precision of the pre-recorded track will establish strong ensemble timing.
  • Shape the melody with clear phrasing that honors the song's theatrical origins; think of it as storytelling rather than strict note-reading.
  • Balance the harmony parts so they support rather than overshadow the tune; this era of songwriting prioritizes the vocal line above all.
  • Coordinate with your accompaniment's dynamic levels during early run-throughs so singers understand where they need to project and where they can pull back.

How to use it

Program this as a spirited standalone number in a pops or variety concert, or pair it with other Golden Age standards for a complete Broadway and film music set. Its relatively compact form and upbeat character make it ideal for spring concerts or lighter programming blocks.

Skills your students will build

  • Interpreting style and character appropriate to theatrical music of the 1930s
  • Balancing melody and accompaniment in arrangements designed for clear melodic projection
  • Ensemble coordination using recorded accompaniments
  • Phrasing and expression in popular song idiom

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