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10,000 Hours: SATB Choral Octavo

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10,000 Hours: SATB Choral Octavo

Words and music by Shay Mooney, Dan Smyers, Jordan Reynolds, Jessie Jo Dillon, Justin Bieber, and Jason Boyd / arr. Jack Zaino

Item: 00-48831

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Description
Recorded by Dan + Shay and Justin Bieber, this contemporary love song broke records as the highest-charting non-holiday country song in history on Billboard's Streaming Songs chart. This straightforward choral arrangement is well-constructed and undeniably satisfying in all voicings. The piano part lays beautifully in the hands and guitar chords are provided. Be sure to check out the soft rock ballad SoundTrax accompaniment. This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, 10,000 Hours: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081561554
SKU: 00-48831

More about this title

About the Composer: Shay Mooney

Shay Mooney is one half of the country duo Dan + Shay, known for blending pop sensibilities with country authenticity. As a songwriter and performer, Mooney has co-written multiple Grammy-winning and chart-topping tracks that showcase his gift for crafting emotionally direct melodies and lyrics that resonate across genres.

Mooney's work with collaborators like Justin Bieber and fellow songwriters Jordan Reynolds, Jessie Jo Dillon, and Jason Boyd demonstrates his ability to create songs that bridge country and pop radio. His songwriting emphasizes accessibility and emotional clarity, qualities that translate effectively into choral arrangements for school and community choirs.

Why we love this

Jack Zaino's arrangement honors the song's pop-country appeal while making it genuinely singable across all four voice parts. The accompaniment sits naturally for pianists, guitar chords are included for flexibility, and the SoundTrax recording gives students a polished reference without overshadowing the choir's voice. It's the kind of contemporary piece that feels current and engaging without requiring unusual ranges or complex voicing.

What to expect

Intimate and yearning. The song sits comfortably in a conversational register, allowing singers to deliver the lyrics with emotional directness. As it builds toward the final chorus, it gains warmth and resonance without ever becoming bombastic or oversentimental.

Who it's for

Choirs seeking repertoire that speaks to contemporary audiences without sacrificing musicality or craft. This octavo works well in high schools, community choirs, and show choirs looking to expand beyond traditional pop covers into properly arranged choral literature.

How to get the most out of it

  • Balance the emotional restraint in verse sections; the song builds power through clarity rather than volume, so clarity of text and tone matters more than blend in the opening.
  • Lean into the soft rock ballad character of the SoundTrax accompaniment to shape your interpretation. Let the recording guide your tempo and overall feel.
  • Keep diction conversational in the melodic passages. This is a song about intimacy, not grandeur, so avoid over-articulating or over-performing.
  • Layer dynamics thoughtfully as the arrangement moves toward the final chorus; the written parts already suggest crescendo, so shape it with intention rather than simply getting louder.

How to use it

Program this as a contemporary closer on a spring concert or as a bridge piece between a traditional first half and a more experimental second half. It also works beautifully in a pops or benefit concert where you want to acknowledge current musical tastes while maintaining choral artistry. The 12-page format makes it manageable to learn alongside a full concert program.

Skills your students will build

  • Singing contemporary pop repertoire with musical maturity and restraint
  • Interpreting text with conversational tone rather than theatrical delivery
  • Balancing individual voice parts in a pop-influenced harmonic context
  • Responding to recorded accompaniment while maintaining ensemble cohesion
  • Reading guitar chord symbols and understanding their role in arrangement

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