SSA/SSAA Choral Sheet Music
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The Risk: SSA Choral Octavo -
Wintertime Cheer: SSAA, a cappella Choral Octavo -
A Red, Red Rose: SSA Choral Octavo -
Veni Jesu: SSA, a cappella Choral Octavo -
A Red, Red Rose: SSA Choral Octavo -
Veni Jesu: SSA, a cappella Choral Octavo -
Wintertime Cheer: SSAA, a cappella Choral Octavo -
The Greatest Show: SSA, a cappella Choral Octavo -
The Greatest Show: SSA, a cappella Choral Octavo -
Born to Be Somebody (from Never Say Never): 2-Part / SSA Choral Octavo -
Born to Be Somebody (from Never Say Never): 2-Part / SSA Choral Octavo -
Permission to Dance: SSA, a cappella Choral Octavo -
Permission to Dance: SSA, a cappella Choral Octavo -
Bright Is the Ring of Words: SSA Choral Octavo 
Bright Is the Ring of Words: SSA Choral Octavo
Bright Is the Ring of Words: SSA Choral Octavo
Text by Robert Louis Stevenson, music by Douglas E. Wagner
Level: Moderate
Shipped$1.60Sale price $1.60 Regular price -
Mrs. Claus!: SSA Choral Octavo -
Celebrate Kwanzaa: 2-Part/SSA Choral Octavo -
Beyond: SSA Choral Octavo -
Mrs. Claus!: SSA Choral Octavo -
Celebrate Kwanzaa: 2-Part/SSA Choral Octavo -
Beyond: SSA Choral Octavo -
Sleigh Ride: SA Choral Octavo -
Sleigh Ride: SA Choral Octavo 
Sleigh Ride: SA Choral Octavo
Sleigh Ride: SA Choral Octavo
By Leroy Anderson / arr. Michael Edwards
Digital Download$2.25Sale price $2.25 Regular price -
Let Freedom Ring!: 2-Part / SSA Choral Octavo -
Need You Now: SSA Choral Octavo
About This Collection
Description
This collection of 1,722 SSA and SSAA titles spans secular, pop, folk, jazz, and masterwork arrangements, with strong representation across all difficulty levels. Teachers return consistently to Robert T. Gibson's Dance!, Laufey Jónsdóttir's From the Start, and Victor C. Johnson's Down in My Soul! for their combination of singability and engagement. Whether you're building a concert program, preparing for festival, or looking for repertoire with recorded accompaniments (over 1,000 titles include them), you'll find substantial depth here.
Highlights
Teachers keep coming back to Dance! by Robert T. Gibson and From the Start by Laufey Jónsdóttir, both widely adopted across levels. Alan Billingsley's Dancing Queen arrangement and Andy Beck's What Was I Made For? are popular choices when you want contemporary material that connects with singers. Down in My Soul! by Victor C. Johnson and It's All Right by Curtis Mayfield round out the core repertoire that moves consistently in classrooms and studios.
Recently added
Recent releases include Greg Gilpin's In Time of Silver Rain and Daniel Brinsmead's Fire Dance (both published May 2026), along with Emilie Zumsteeg's Uplifted Voices and Olivia Dean's So Easy, adding fresh options across vocal ranges and styles.
Composer & Author Spotlight
Jay Althouse has published over 800 choral works across all levels, with Homeward Bound remaining a reliable choice for accessible, well-crafted SSA repertoire. His background in music education and his eight years in music publishing give his writing a deeply practical classroom sensibility.
Andy Beck, Director of Choral Publications at Alfred Music, brings both compositional skill and pedagogical design to his 450+ works. What Was I Made For? demonstrates his gift for writing material that's vocally satisfying without excessive technical demand. Beyond standalone pieces, Beck's method resources (Sing at First Sight, Foundations in Choral Sight Singing, Vocalize!) inform how he approaches arranging for mixed-level ensembles.
Greg Gilpin's work carries the credibility of an ASCAP-award winning composer and conductor who's performed at Carnegie Hall, Lincoln Center, and the Sydney Opera House. His It's Raining Men shows how to marry contemporary pop with solid choral writing. His recent In Time of Silver Rain continues that blend of accessibility and musical substance.
Alan Billingsley's background as an arranger for Disney and Broadway gives his educational pop arrangements uncommon polish. Dancing Queen exemplifies his ability to capture the energy of a song while keeping it singable for SSA ensembles, and his experience across commercial and theatrical contexts shows in every voicing choice.