Classical Choral Sheet Music

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  • Come, Join in Singing: 3-Part Mixed, a cappella Choral Octavo

    Come, Join in Singing: 3-Part Mixed, a cappella Choral Octavo

    Come, Join in Singing: 3-Part Mixed, a cappella Choral Octavo

    By Jacob Arcadelt / ed. Patrick M. Liebergen

    Level: Moderately Easy

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  • Sing with Pleasure: 2-Part Choral Octavo

    Sing with Pleasure: 2-Part Choral Octavo

    Sing with Pleasure: 2-Part Choral Octavo

    Music by George Frideric Handel / arr. Patrick M. Liebergen

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  • Sing with Pleasure (from Saul): 2-Part Choral Octavo

    Sing with Pleasure (from Saul): 2-Part Choral Octavo

    Sing with Pleasure (from Saul): 2-Part Choral Octavo

    Music by George Frideric Handel / arr. Patrick M. Liebergen

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  • Song of Peace: SATB Choral Octavo

    Song of Peace: SATB Choral Octavo

    Song of Peace: SATB Choral Octavo

    English words by Lloyd Stone, music by Jean Sibelius / arr. Gary Fry

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  • A Foggy Day: SATB Choral Octavo

    A Foggy Day: SATB Choral Octavo

    A Foggy Day: SATB Choral Octavo

    Music and lyrics by George Gershwin and Ira Gershwin / arr. Russell Robinson

    Level: Moderate

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  • A Foggy Day: SATB Choral Octavo

    A Foggy Day: SATB Choral Octavo

    A Foggy Day: SATB Choral Octavo

    Music and lyrics by George Gershwin and Ira Gershwin / arr. Russell Robinson

    Level: Moderate

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  • Mon Coeur Se Recommande à Vous (I Give to You All of My Heart): SSA Choral Octavo

    Mon Coeur Se Recommande à Vous (I Give to You All of My Heart): SSA Choral Octavo

    Mon Coeur Se Recommande à Vous (I Give to You All of My Heart): SSA Choral Octavo

    French Madrigal attributed to Orlando di Lasso / arr., with English words, by Russell Robinson

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  • Song of Peace: SATB Choral Octavo

    Song of Peace: SATB Choral Octavo

    Song of Peace: SATB Choral Octavo

    English words by Lloyd Stone, music by Jean Sibelius / arr. Gary Fry

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    $1.85
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  • I Got Rhythm: SSA Choral Octavo

    I Got Rhythm: SSA Choral Octavo

    I Got Rhythm: SSA Choral Octavo

    Music and lyrics by George Gershwin and Ira Gershwin / arr. Kirby Shaw

    Level: Moderate

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  • I Got Rhythm: SSA Choral Octavo

    I Got Rhythm: SSA Choral Octavo

    I Got Rhythm: SSA Choral Octavo

    Music and lyrics by George Gershwin and Ira Gershwin / arr. Kirby Shaw

    Level: Moderate

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  • Can-Can (from the Overture to Orpheus in the Underworld): SATB divisi, a cappella Choral Octavo

    Can-Can (from the Overture to Orpheus in the Underworld): SATB divisi, a cappella Choral Octavo

    Can-Can (from the Overture to Orpheus in the Underworld): SATB divisi, a cappella Choral Octavo

    By Jacques Offenbach / arr. Julie Eschliman

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  • Can-Can (from the Overture to Orpheus in the Underworld): SATB divisi, a cappella Choral Octavo

    Can-Can (from the Overture to Orpheus in the Underworld): SATB divisi, a cappella Choral Octavo

    Can-Can (from the Overture to Orpheus in the Underworld): SATB divisi, a cappella Choral Octavo

    By Jacques Offenbach / arr. Julie Eschliman

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  • Sing of Spring: SATB Choral Octavo

    Sing of Spring: SATB Choral Octavo

    Sing of Spring: SATB Choral Octavo

    By George Gershwin / ed. Gregg Smith

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  • Sing of Spring: SATB Choral Octavo

    Sing of Spring: SATB Choral Octavo

    Sing of Spring: SATB Choral Octavo

    By George Gershwin / ed. Gregg Smith

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  • Embraceable You: SSAA, a cappella Choral Octavo

    Embraceable You: SSAA, a cappella Choral Octavo

    Embraceable You: SSAA, a cappella Choral Octavo

    Music and lyrics by George Gershwin and Ira Gershwin / arr. Kirby Shaw

    Level: Moderate

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  • Embraceable You: SSAA, a cappella Choral Octavo

    Embraceable You: SSAA, a cappella Choral Octavo

    Embraceable You: SSAA, a cappella Choral Octavo

    Music and lyrics by George Gershwin and Ira Gershwin / arr. Kirby Shaw

    Level: Moderate

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  • Let's Call the Whole Thing Off: 2-Part Choral Octavo

    Let's Call the Whole Thing Off: 2-Part Choral Octavo

    Let's Call the Whole Thing Off: 2-Part Choral Octavo

    Music and lyrics by George Gershwin and Ira Gershwin / arr. Russell Robinson

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  • Let's Call the Whole Thing Off: 2-Part Choral Octavo

    Let's Call the Whole Thing Off: 2-Part Choral Octavo

    Let's Call the Whole Thing Off: 2-Part Choral Octavo

    Music and lyrics by George Gershwin and Ira Gershwin / arr. Russell Robinson

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  • I Got Rhythm: SATB Choral Octavo

    I Got Rhythm: SATB Choral Octavo

    I Got Rhythm: SATB Choral Octavo

    By George Gershwin / arr. Clay Warnick

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  • I Got Rhythm: SATB Choral Octavo

    I Got Rhythm: SATB Choral Octavo

    I Got Rhythm: SATB Choral Octavo

    By George Gershwin / arr. Clay Warnick

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  • Now Is the Month of Maying: 3-Part Mixed, a cappella Choral Octavo

    Now Is the Month of Maying: 3-Part Mixed, a cappella Choral Octavo

    Now Is the Month of Maying: 3-Part Mixed, a cappella Choral Octavo

    Music by Thomas Morley / arr. Russell Robinson

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  • Now Is the Month of Maying: 3-Part Mixed, a cappella Choral Octavo

    Now Is the Month of Maying: 3-Part Mixed, a cappella Choral Octavo

    Now Is the Month of Maying: 3-Part Mixed, a cappella Choral Octavo

    Music by Thomas Morley / arr. Russell Robinson

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  • Now Is the Month of Maying: SSA, a cappella Choral Octavo

    Now Is the Month of Maying: SSA, a cappella Choral Octavo

    Now Is the Month of Maying: SSA, a cappella Choral Octavo

    Music by Thomas Morley / arr. Russell Robinson

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  • Now Is the Month of Maying: SSA, a cappella Choral Octavo

    Now Is the Month of Maying: SSA, a cappella Choral Octavo

    Now Is the Month of Maying: SSA, a cappella Choral Octavo

    Music by Thomas Morley / arr. Russell Robinson

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    $2.25
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About This Collection

Description

This collection of 581 classical choral pieces spans from Renaissance masters to early 20th-century composers, organized across multiple voicings and difficulty levels. George Gershwin's Summertime remains a perennial favorite in both SATB and mixed voicing arrangements, while Edvard Grieg's Brothers, Sing On! and Scott Joplin's The Entertainer offer strong contrasts in style and energy. You'll find secular works dominate the catalog, with substantial representation from masterwork arrangements that make canonical repertoire accessible to intermediate and developing choirs.

Highlights

Teachers consistently return to George Gershwin's Summertime: SATB Choral Octavo for its melodic clarity and accessibility across ability levels. Edvard Grieg's Brothers, Sing On! in TTBB a cappella voicing is equally popular, particularly for male choirs seeking moderate-level repertoire with substance. Scott Joplin's The Entertainer has gained momentum across multiple voicings, with new 2-part and 3-part mixed arrangements published recently to extend its reach into developing ensembles.

Recently added

Scott Joplin's The Entertainer has been released in new voicing arrangements over the past two months: a 3-part mixed version (November 2025) and 2-part version (December 2025) join the existing SATB octavo to meet different ensemble needs.

Composer & Author Spotlight

George Gershwin's 116 titles in this collection showcase his gift for writing vocal lines that sing naturally across jazz idioms and popular song forms. His Summertime has become foundational repertoire for choirs exploring the bridge between classical and American vernacular styles.

Dr. Russell L. Robinson, Emeritus Professor of Music Education at the University of Florida, brings decades of international conducting experience to his 62 compositions in this catalog. His work Sing We and Chant It demonstrates his skill at writing a cappella music that challenges singers while remaining musically satisfying at the intermediate level. Robinson's background conducting honor choirs and all-state ensembles at state, regional, and national conferences has shaped his understanding of what develops singers while keeping them engaged.

Patrick M. Liebergen's 111 titles represent some of the most widely adopted arrangements in school and community choirs. His Chantons (O Sing) for SSA voicing balances accessibility with musical substance, making it a natural choice for developing treble choirs.