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Young Jazz Ensemble Collection: Tuba Book

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Young Jazz Ensemble Collection Cover Image

Young Jazz Ensemble Collection: Tuba Book

Item: 00-SBM04024

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Description
Twelve outstanding arrangements for the young jazz ensemble written by experienced educational arrangers and composers. A variety of styles and tempos is included: swing, ballad, Latin, holiday, rock, and the classic "Take Five" with a 5/4 time signature. This collection of charts is written for full instrumentation---five saxophones, four trumpets, four trombones and four rhythm---but designed to sound full and complete with reduced instrumentation of just twelve players---four saxes, five brass, piano, bass and drums. Optional parts are available for flute, clarinet, horn, baritone horn and tuba. Rhythm section parts offer suggestions for rhythms and piano voicings, and guitar chords are included to assist young guitarists. Solos are written out for improvised sections, and there is plenty of full-sounding ensemble. The conductor's book includes full-length CD recordings. Titles are: Blues in the Night * Burritos to Go * Have Yourself a Merry Little Christmas * Jumpin' at the Woodside * Jungle Boogie * Misty * Night and Day * On Green Dolphin Street * Sax to the Max * Summertime * Take Five * Tastes Like Chicken.

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Additional Details
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7579-1929-4
ISBN13: 978-0-7579-1929-9
UPC: 654979072669
SKU: 00-SBM04024
Instrumentation: Tuba

More about this title

Why we love this

The tuba parts sit solidly in the low end without overwhelming younger players, offering clear rhythmic responsibility that builds foundation skills. A dozen arrangements span genuine stylistic variety—from the syncopated swagger of blues and Latin feels to the laid-back sophistication of ballads—so your section stays engaged across an entire rehearsal or concert. The flexibility to scale from full instrumentation down to twelve players means this collection works whether you're fielding a big group or a tight ensemble.

What to expect

These arrangements deliver the warmth and swagger of classic jazz standards alongside contemporary energy. Whether swinging hard, floating through a ballad, or locking into a Latin groove, the tuba anchors the band with authority while staying playable for students still developing their jazz vocabulary.

Who it's for

Young jazz ensemble members looking for accessible but authentic big-band experience, particularly tuba players who want solid low-end parts that contribute meaningfully to the band's groove and harmony. Directors building a jazz program benefit from having twelve complete, varied charts that work with flexible instrumentation and require no external accompaniment.

How to get the most out of it

  • Lock the bass line with your drummer and piano player before tackling the full arrangement; these three voices anchor everything else and deserve rehearsal time as a unit.
  • On the ballads like 'Misty' and 'Night and Day,' shape each phrase dynamically instead of playing at a flat volume; the tuba carries harmonic weight that can color the entire ensemble's sound.
  • When a swing feel calls for walking bass, think of each note as a gentle pulse rather than a hard accent; the ride cymbal and hi-hat will guide your placement.
  • Study the written-out solos in the book before the band rehearses them; knowing the harmonic movement helps you comp better when improvising or accompanying soloists.

How to use it

Build an entire jazz concert from this collection by grouping pieces by mood: open with a driving blues or swing tune, transition through ballads in the middle, land a few uptempo Latin or rock pieces before closing. The holiday chart works well for December programming, while 'Take Five' serves as a natural showpiece that engages audiences with its distinctive meter.

Skills your students will build

  • Walking bass lines in swing and jazz contexts
  • Playing stylistically appropriate rhythms across blues, Latin, ballad, and rock feels
  • Reading jazz notation and chord symbols
  • Supporting and comping behind improvised solos
  • Blending with piano and drums as a functioning rhythm section

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