You're the One That I Want: SAB Choral Octavo
Words and music by John Farrar / arr. Jeff Funk
Level: Moderate
Item: 00-PO-0002541
Minimum order quantity: 20 copies
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More about this title
About the Composer: John Farrar
John Farrar is an Australian-American composer and musician who became a central figure in 1970s pop music production. He co-wrote and produced much of Olivia Newton-John's most enduring work, including the Grease soundtrack, and his gift for crafting singable, radio-friendly melodies made him one of the era's most commercially successful songwriters.
Why we love this
Jeff Funk's SAB arrangement captures the infectious energy and character interplay of the original without requiring a huge ensemble or advanced vocal technique. This is the kind of pop standard that resonates across generations, giving middle-level choirs immediate access to a song that students actually know and care about.
What to expect
Upbeat, playful, and groove-oriented. The song bounces along with a confident pop-rock energy that feels immediate and modern, even though its roots are in 1978 cinema. There's a lightness and joy to it that comes through whether you're singing the melody or supporting harmony.
Who it's for
Choirs at the middle school through community level who want a contemporary pop arrangement that's accessible and fun without being juvenile. The moderate difficulty level means singers with basic music-reading skills can succeed, while still offering enough musical texture to keep rehearsals engaging.
How to get the most out of it
- Lock the rhythmic energy with your rhythm section and recorded accompaniment; the groove is what sells this song, so nail the pocket before polishing the harmony.
- Play with the attitude in the text and staging. The song's original context gives you permission to be theatrical and fun, so encourage your singers to lean into character and personality.
- Balance the altos and basses carefully in the lower harmony parts. They carry the foundation of the groove and need clarity even when the sopranos are front and center.
- Record a rehearsal run-through and listen back as an ensemble. Hearing how the blend sits in a recorded mix often reveals balance issues that don't surface in the room.
How to use it
This works beautifully as a standalone pop selection on a concert that mixes genres, or pair it with other arrangements from the Alfred Pop Choral Series for a contemporary-focused set. It's also ideal for spring concerts, pops nights, or any program designed to showcase what your singers find exciting and relevant.
Skills your students will build
- Reading SAB three-part voicing and independent melodic lines
- Sustaining rhythmic precision in a groove-based arrangement
- Blending across vocal parts in a pop idiom
- Interpreting text with character and personality
- Following an accompaniment track and staying locked with rhythm section