You Ought to Be Having Fun / What Is Hip? Cover Image

You Ought to Be Having Fun / What Is Hip?: Marching Band Conductor Score & Parts

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You Ought to Be Having Fun / What Is Hip? Cover Image

You Ought to Be Having Fun / What Is Hip?: Marching Band Conductor Score & Parts

The Music of Tower of Power, Part 1

Words and music by Emilio Castillo, Stephen Kupka, Hubert Tubbs, and David Garibaldi [Tower of Power] / arr. Victor López

Grade: 3.5 (Medium)

Item: 00-42115

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Description
We are extremely proud to present a three-piece halftime show based on the unforgettable music of the jazz-funk band Tower of Power. Started over 40 years ago, the band is still going strong and wowing sold-out audiences everywhere with their soulful tunes and impeccable musicianship. Victor López combines two of their most popular hits into Part 1 of our show. (2:15)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, You Ought to Be Having Fun / What Is Hip?: Marching Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Mega Sounds for Marching Band
Publisher: Alfred Music
Page Count: 220
UPC: 038081473116
SKU: 00-42115

More about this title

About the Composer: Emilio Castillo

Emilio Castillo co-founded Tower of Power in 1968 and has served as the band's primary songwriter and saxophonist for over five decades. His compositions and arrangements define the Tower of Power sound: a seamless blend of R&B, funk, and soul that prioritizes groove, ensemble cohesion, and infectious rhythmic precision. Castillo's work with the band has earned them induction into the Funk Hall of Fame and countless recordings that remain staples in jazz and funk education.

Why we love this

Victor López's arrangement captures the essence of Tower of Power's groove vocabulary without sacrificing accessibility for Grade 3.5 bands. The combination of two iconic hits gives students a concert-ready medley that teaches authentic funk fundamentals: locked rhythms, syncopation, and the importance of the backbeat. Audiences recognize these songs immediately, which means your band gets the energy payoff of playing something genuinely cool.

What to expect

Propulsive, soulful, and undeniably infectious. The arrangement channels Tower of Power's signature groove and brass energy, with syncopated lines that sit perfectly between funk pocket and big band swagger. From the first downbeat, your band steps into a professional-caliber funk sound that feels both contemporary and timeless.

Who it's for

This show is ideal for marching bands seeking to program concert-quality material that connects with students and audiences alike. Grade 3.5 bands with solid fundamentals will find the arrangement both challenging and rewarding. Directors looking to incorporate genuine funk and jazz idioms into their season will find a complete, performance-ready package in this Victor López arrangement.

How to get the most out of it

  • Lock the entire section rhythm section (bass, drums, and low brass) into a unified backbeat feel before adding upper voices. These grooves live or die on how solid that foundation is.
  • Emphasize the push-and-pull between the written syncopations and the underlying steady pulse. Many students will want to rush the funk figures; steady time-keeping from the conductor makes a tremendous difference.
  • Balance the brass stabs and hits so they speak clearly without overshadowing the groove underneath. In Tower of Power's music, every note serves the funk, not the other way around.
  • Study the recorded versions of both songs to internalize the articulation and phrasing style. The soulfulness in Tower of Power's playing comes from how they shape notes and breathe as an ensemble, not from tempo changes.

How to use it

This works wonderfully as a halftime feature that immediately engages audiences with instantly recognizable hits. You can program it as a single complete medley or extract individual songs for concert performance depending on your season's structure. It pairs well alongside other contemporary or funk-inflected repertoire and serves as an ideal vehicle for teaching authentic groove and ensemble precision.

Skills your students will build

  • Funk and jazz rhythm vocabulary including syncopation and backbeat alignment
  • Section cohesion through locked groove playing
  • Reading and executing syncopated rhythms in 4/4 time
  • Understanding bass line and drum pattern relationships
  • Brass articulation and phrasing in contemporary genres
  • Listening skills and ensemble balance in a funk context

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