You Make Me Feel So Young: SSA Choral Octavo

Jay Althouse has arranged this swing standard specifically for SSA voices without oversimplifying the harmonic language or rhythmic feel that makes the tune swing. The combination of a recognizable classic with accessible voicing gives concert choirs a sophisticated entry into jazz repertoire that audiences love immediately.

Bright and buoyant swing energy meets genuine melodic charm. The piece captures that classic 1940s sophistication where elegance and fun coexist, inviting singers to embrace both technical precision and interpretive playfulness.

This octavo works equally well in concert choirs seeking to expand beyond classical repertoire and in show choirs and jazz ensembles looking for a standard with crossover appeal. SSA voicings make it accessible for middle school through professional ensembles, and the moderate difficulty keeps rehearsal time manageable.

• Anchor the rhythm section phrasing to the swing feel rather than strict metronomic time; let the ensemble breathe as a unit during the characteristic syncopations.
• Use the recorded accompaniment for rehearsals to internalize the groove, then gradually move toward singing unaccompanied phrases to build confidence and blend.
• Emphasize the legit tone production on the ballad passages while shifting toward a lighter, more conversational quality during the up-tempo swing sections.
• Balance the soprano and alto lines carefully during unison passages; this tune thrives on clarity of melody and harmonic blend rather than vocal force.

Program this alongside other American songbook standards to build a jazz-influenced concert set, or use it as a connector piece between classical and contemporary pops programming. Its recognizable title and strong melodic hook make it an excellent closer or opening number for audience engagement.

• Swing rhythm and syncopation
• Jazz phrasing and articulation
• Blend and balance in SSA texture
• Reading jazz chord changes and interpretive cues
• Coordination between ensemble and accompaniment in popular music styles