You Can't Always Get What You Want Cover Image

You Can't Always Get What You Want: SoundTrax Digital Audio Download

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You Can't Always Get What You Want Cover Image

You Can't Always Get What You Want: SoundTrax Digital Audio Download

As performed by the Cast of Glee

Words and music by Mick Jagger and Keith Richards / arr. Alan Billingsley

Item: 00-A-00015260

$29.99
Digital Download
Description

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
SKU: 00-A-00015260

More about this title

About the Composer: Mick Jagger

Mick Jagger co-wrote this iconic rock anthem with Keith Richards during the Rolling Stones' creative peak in the late 1960s. As the band's primary lyricist and frontman, Jagger crafted lyrics that captured the philosophical acceptance of life's disappointments with wit and defiance, turning a moment of personal reflection into a song that has resonated across generations.

Why we love this

Alan Billingsley's arrangement brings genuine rock character to a choral setting without sacrificing singability or the song's unmistakable groove. Directors get a piece that feels authentic to the original while remaining accessible for ensemble singers, making it equally effective for concert choirs and pop choral programs.

What to expect

The song radiates a kind of groovy acceptance, blending rock attitude with a surprisingly tender acknowledgment of life's hard truths. There's swagger in the ensemble voicing and a laid-back confidence in the rhythm that invites singers to inhabit the song's philosophy rather than simply perform it.

Who it's for

Choirs seeking repertoire that appeals to students and audiences alike will find this arrangement hits the mark. It works for pop choral ensembles, show choirs, contemporary worship settings, and concert choirs looking to program something with genuine rock credentials and broad appeal.

How to get the most out of it

  • Anchor the rhythm section parts (bass and drums in the accompaniment) so singers hear the pocket clearly; this song lives in its steady groove more than in perfect meter.
  • Shape the vocal line conversationally, especially through the verses, so the philosophical tone of the lyrics comes through rather than sounding overly performed.
  • Balance the recorded accompaniment so the ensemble's blend isn't buried; this arrangement works best when singers feel like they're playing with the band, not singing over it.

How to use it

This arrangement fits naturally into concerts that mix classic rock with contemporary choral repertoire, bridging audiences who might not otherwise connect with traditional classical programming. It also works as a powerful closer or encore, where its universally recognizable melody and message land with genuine emotional impact.

Skills your students will build

  • Singing in a groove-based, syncopated rhythmic framework
  • Balancing ensemble blend while maintaining rhythmic independence from the accompaniment
  • Interpreting rock-influenced phrasing and articulation within a choral texture
  • Connecting lyrical storytelling to vocal delivery in a contemporary idiom

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