Yes, My Lord! Cover Image

Yes, My Lord!: 2-Part Choral Octavo

$2.25 USD
$2.25 USD
Skip to product information
Yes, My Lord! Cover Image
Yes, My Lord!: 2-Part Choral Octavo

Yes, My Lord!: 2-Part Choral Octavo

Music by Jay Althouse

Item: 00-7901
makemusic Cloud badge

Need it now?

Buy Digital Version
$2.25
Shipped

One moment…

Related Items

Yes, My Lord!: 3-Part Mixed Choral Octavo

$2.25
View

Yes, My Lord!: 2-Part Choral Octavo

$2.25
View

Yes, My Lord!: 3-Part Mixed Choral Octavo

$2.25
View
Description
Another great, original spiritual from Jay Althouse. Teach the refrain first and you'll find your singers can't wait to learn the rest of the piece. In just a rehearsal or two, they'll sound great and you'll be singing it all year long. YES, MY LORD! is a real gem! And the SoundTrax cassette is full of excitement.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Yes, My Lord!: 2-Part Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Open in the Player

Jump straight in and assign it today.

Start Your Free Trial

Open this title and explore the full library in minutes.
Sample Pages

Sample Audio
0:00
0:00
Sample Video
No sample videos found.
Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081009346
SKU: 00-7901

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was honored as a Distinguished Alumnus. Early in his career, he worked for eight years in rights and licenses administration at a major educational music publisher, serving on the Executive Board of the Music Publishers Association of America. As a composer, Althouse has written more than 800 choral works performed across the English-speaking world and is a writer member of ASCAP, a regular recipient of the ASCAP Special Award.

Beyond composition, Althouse has compiled and arranged vocal collections including Folk Songs for Solo Singers, co-written children's musicals with Sally K. Albrecht, and authored instructional resources for music classrooms. His collaborative choral work I Hear America Singing was performed by the San Francisco Girls and Boys Choirs at President Barack Obama's inauguration in 2009. Based in Wake Forest, North Carolina, he serves on the National Advisory Board of the Folk Art Society of America.

Why we love this

Althouse writes spirituals that singers genuinely want to sing. The refrain hooks quickly, which means your ensemble gains confidence and momentum within the first rehearsal or two. The combination of accessibility and infectious energy makes this an ideal choice when you need a piece that builds morale and sounds polished fast.

What to expect

The spiritual radiates warmth and conviction. With its direct, singable melody and supportive harmonies, YES, MY LORD! creates an atmosphere of joy and affirmation that resonates with both singers and audiences.

Who it's for

This arrangement works beautifully in any two-part choir, from middle school through adult community ensembles. It's especially valuable for groups seeking an uplifting sacred work that sounds mature without demanding extensive rehearsal time.

How to get the most out of it

  • Learn the refrain as your entry point. Once singers internalize this section, the remaining material flows naturally and they become invested in completing the full arrangement.
  • Incorporate the suggested movement and staging to heighten engagement and help singers remember their parts through physical memory alongside vocal memory.
  • Use the recorded accompaniment during early rehearsals to establish the spiritual's authentic feel and rhythmic character before moving to piano or a cappella work.

How to use it

This spiritual shines in spring or end-of-year concerts where you want to showcase the choir's growth and leave audiences with a bright, memorable closing. Its accessibility also makes it ideal for community performances, worship services, or multicultural programming that celebrates the spiritual tradition.

Skills your students will build

  • Singing in two-part harmony with clear voice independence
  • Interpreting the spiritual idiom with authentic phrasing and rhythmic feel
  • Connecting movement and staging to musical expression
  • Building ensemble blend and balance in a shorter rehearsal timeline

You May Also Like