Yamaha Performance Folio Cover Image

Yamaha Performance Folio: Tuba Book

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Yamaha Performance Folio Cover Image

Yamaha Performance Folio: Tuba Book

By Frank Erickson, John Kinyon, and John O'Reilly

Item: 00-11673

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Description
Composed or arranged by Frank Erickson, John Kinyon and John O'Reilly, this exciting collection includes 14 never-before-published selections correlated to specific pages in the Yamaha Band Student, Book 1. Presented in a variety of styles, these full band pieces will captivate students and audiences alike and will continue to motivate young bands year after year!

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Additional Details
Series: Yamaha Band Method
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7390-0137-X
ISBN13: 978-0-7390-0137-0
UPC: 038081114569
SKU: 00-11673
Instrumentation: Tuba

More about this title

About the Author: Frank Erickson

Frank Erickson built his reputation as a composer and arranger who understood exactly what young musicians needed to hear and play. His works for beginning and intermediate bands emphasize musical substance without sacrificing accessibility, making him a staple in American music education for decades.

Erickson's gift was matching compositional quality to pedagogical purpose. Whether writing original pieces or arranging existing material, he kept students engaged while respecting the genuine musical challenges they were ready to tackle.

Why we love this

These 14 pieces land at the exact moment when young musicians need proof that band is genuinely fun. They're specifically paced to the Yamaha Band Student curriculum, so there's zero guessing about readiness and alignment. The variety of styles means every student finds something that speaks to them, and conductors get real teaching moments wrapped inside actual performances.

What to expect

Bright and approachable, yet genuine. These pieces offer real musical moments without pretense. Some swing gently, others march with purpose, and a few invite contemplation. There's a sense of discovery in the variety, with each selection proving that written music can genuinely move both player and listener.

Who it's for

First-year and early second-year tuba students who have progressed through foundational Yamaha Band Student materials and are ready for full-band performance contexts. Directors building repertoire that grows with their students rather than overwhelming them.

How to get the most out of it

  • Balance the low brass section carefully in the early pieces. Tuba often carries foundational lines, so full, supported tone matters more than volume.
  • Treat style changes as opportunities to reset focus. When the ensemble shifts from march to waltz to jazz, use the transition to refocus articulation and phrasing.
  • Listen actively to upper voices in scoring where tuba provides harmonic roots. This trains intonation and builds ensemble awareness beyond mechanical note-reading.

How to use it

Integrate these throughout your year as confidence builders and milestone performances. Pair individual pieces with specific units in the Yamaha method to reinforce technique and keep practice sessions connected to actual concert goals. The range of styles makes them ideal for winter or spring concerts when audiences appreciate genre variety.

Skills your students will build

  • Reading and executing style markings across march, waltz, and contemporary idioms
  • Supporting harmonic structure through independent part awareness
  • Steady tone production across dynamic and tempo changes
  • Coordinating with a full ensemble while maintaining individual line integrity

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