Yamaha Performance Folio Cover Image

Yamaha Performance Folio: Flute Book

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Yamaha Performance Folio Cover Image

Yamaha Performance Folio: Flute Book

By Frank Erickson, John Kinyon, and John O'Reilly

Item: 00-11661

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Description
Composed or arranged by Frank Erickson, John Kinyon and John O'Reilly, this exciting collection includes 14 never-before-published selections correlated to specific pages in the Yamaha Band Student, Book 1. Presented in a variety of styles, these full band pieces will captivate students and audiences alike and will continue to motivate young bands year after year!

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Additional Details
Series: Yamaha Band Method
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7390-0125-6
ISBN13: 978-0-7390-0125-7
UPC: 038081114446
SKU: 00-11661
Instrumentation: Flute

More about this title

About the Author: John O'Reilly

John O'Reilly co-authored the Yamaha Band Student method series, one of the most widely adopted band curricula in American music education. His work emphasizes practical, engaging pedagogy that connects method instruction directly to performance literature, making the transition from exercises to real music seamless for young musicians.

Why we love this

These 14 selections arrive already coordinated to your method book's scope and sequence, eliminating the hunt for complementary repertoire. The variety of styles keeps rehearsals fresh while reinforcing the technical concepts students are actually learning, and the full band arrangements ensure everyone plays together from day one rather than flute solos sitting apart from the ensemble.

What to expect

A collection that honors what young flutes can actually do while keeping them musically engaged. The pieces feel fresh and genuine rather than overly simplified, with enough rhythmic and melodic variety to hold student interest across an entire year of rehearsals.

Who it's for

Flute players in beginning concert band programs using the Yamaha Band Student method. These arrangements work best for students in their first or second year of band, when direct correlation between method pages and performance music accelerates learning and confidence.

How to get the most out of it

  • Refer to the specific page correlations in your Band Student book to introduce each piece exactly when students have learned the necessary technique. This timing makes every selection feel achievable rather than frustrating.
  • Balance the flute line with the full band voicing by asking flutes to match the dynamic intent of the ensemble rather than playing over it. Young flutes often project more than intended.
  • Use the stylistic variety across the 14 pieces to discuss how the same technical skills (articulation, phrasing, intonation) shift depending on whether you're playing a march, waltz, or folk-style arrangement.

How to use it

Build your fall and winter concert repertoire around these selections, programming them in the order they correlate to your method book progress. This approach lets you schedule performances that align with what students have studied, making each concert a celebration of real learning rather than a scramble to prepare something above their current level.

Skills your students will build

  • Performing in full ensemble context while maintaining individual part accuracy
  • Applying method book technique (articulation, breathing, intonation) to stylistically varied repertoire
  • Reading and interpreting dynamic and tempo markings across different musical styles
  • Listening and blending within a concert band texture

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