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Yamaha Christmas Ensembles: Conductor Score

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Yamaha Christmas Ensembles Cover Image

Yamaha Christmas Ensembles: Conductor Score

A Collection of 19 Favorite Carols that Correlates Page-by-Page with the Yamaha Band Student, Books 1 & 2

By John Kinyon and John O'Reilly

Item: 00-4182

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Description
Yamaha Christmas Ensembles utilize the same flexible format of the successful Yamaha Band Ensembles and contains 19 delightful arrangements of Christmas favorites. Arranged in order of difficulty, the carols span approximately the same level as Books 1 and 2 of the Yamaha Band Student. Page correlations are also included.

Titles: Angels We Have Heard on High * Away in a Manger * Deck the Halls * Go Tell It on the Mountain * God Rest Ye Merry, Gentleman * Good King Wenceslas * Hark! The Herald Angels Sing * In the Bleak Mid-Winter * It Came Upon a Midnight Clear * Jingle Bells * Jolly Old St. Nicholas * Lo, How a Rose * O Come, Little Children * O Come, O Come Emmanuel * Silent Night * Up on the Housetop * We Three Kings * We Wish You a Merry Christmas * While Shepherds Watched Their Flocks.

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Additional Details
Series: Yamaha Band Method
Publisher: Alfred Music
Page Count: 36
ISBN10: 0-7390-0124-8
ISBN13: 978-0-7390-0124-0
UPC: 038081026909
SKU: 00-4182
Instrumentation: Piano Acc./Conductor's Score

More about this title

About the Author: John Kinyon

John Kinyon

John Kinyon earned degrees from Ithaca College and the Eastman School of Music, followed by an honorary doctorate from Limestone College in South Carolina. Over his career, he has worked as an instrumental music director and department head in public schools, served as educational director for Warner Brothers Music in New York, and taught music education at the University of Miami before transitioning to semi-retirement in Tuckasegee, North Carolina in 1982.

Kinyon has composed more than 250 works for educational ensembles, establishing himself as a trusted voice in the field. His catalog spans grade levels 1 through 3 and encompasses original marches, ballads, and overtures across multiple musical styles.

Why we love this

Kinyon and O'Reilly have distilled 19 recognizable Christmas carols into arrangements that feel fresh without demanding extra instrumentation or time spent learning new formats. The progression from easier to more challenging keeps students engaged across the holiday season without requiring separate conductor books for different ability levels.

What to expect

Straightforward and joyful. These carols maintain their familiar melodic identity while the arrangements provide enough harmonic support and independence in the parts to feel like real ensemble music. The progression builds confidence as players move from simpler settings to slightly more textured writing.

Who it's for

Band directors working with beginning through early intermediate ensembles who want holiday repertoire that fits naturally into the Yamaha Band Method curriculum. These arrangements work equally well for concert band programs, school assemblies, or community performances where accessibility and variety matter.

How to get the most out of it

  • Reference the page correlations to the Yamaha Band Student books; this connection lets students see how their method book study directly applies to real repertoire.
  • Use the flexible instrumentation to match your actual ensemble needs rather than forcing students into missing parts.
  • Balance the piano accompaniment so it supports without overwhelming the band sound, especially in the simpler early arrangements.

How to use it

Program selections from this collection in December concerts alongside other band repertoire, or use them as a unified holiday set where the conductor score gives you continuity across all 19 pieces. The correlation to method book pages also makes these useful for sight-reading assignments or sectionals as reinforcement of specific technical concepts.

Skills your students will build

  • Sight-reading familiar melodies in new harmonic contexts
  • Ensemble balance and blend with varied instrumentation
  • Understanding score layout and conductor preparation
  • Intonation and phrasing in longer phrase structures
  • Flexibility with ensemble make-up and part doubling

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