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Winner: Marching Band Conductor Score

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Winner Cover Image

Winner: Marching Band Conductor Score

Arr. Ralph Ford

Grade: 3 (Medium)

Item: 00-36474S

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Description
One of most memorable singles from 2010 is Winner by Jamie Foxx featuring Justin Timberlake and T.I. This tune was the official theme song of the 2010 NBA playoffs, and Ralph Ford's stellar arrangement is full of great band sounds. Awesome!

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Additional Details
Series: Mega Sounds for Marching Band
Publisher: Alfred Music
Page Count: 8
UPC: 038081404912
SKU: 00-36474S

More about this title

About the Arranger: Ralph Ford

Ralph Ford

Ralph Ford brings three decades of arranging expertise to both concert and marching settings. Since 1986, he has worked as a composer, arranger, and educator, earning his Master of Science degree from Troy State University while serving on its faculty. His career spans university teaching, professional media production, and exclusive work with major music publishers, with over 250 published titles across orchestra, concert band, jazz ensemble, and marching band.

Ford's arranging work began at age fifteen and expanded significantly during his years directing Troy State's jazz ensemble and serving as staff arranger for the university band program. Beyond education, he has composed award-winning broadcast and advertising music, produced recordings for national media outlets, and worked on live musical productions. His arrangements are performed regularly by school, university, military, and professional ensembles worldwide.

Why we love this

Ford captures the infectious energy of this 2010 hit without overcomplicating the marching band setting. The arrangement balances accessibility for Grade 3 ensembles with sophisticated band sounds that keep the arrangement engaging for both players and audiences. Programming a contemporary rock tune with such strong musical DNA gives your band a modern repertoire entry that feels fresh on the field.

What to expect

High-energy and celebratory, this arrangement brings the winning momentum of the original track to the field. Ford's scoring captures the radio hit's swagger and drive while keeping the instrumentation grounded in marching band tradition, creating something both familiar and distinctly contemporary.

Who it's for

Marching bands at the Grade 3 level looking to program contemporary popular music with solid musicianship demands. This arrangement works for bands ready to tackle rock style and groove-based rhythm, particularly those with developing brass and woodwind sections that benefit from transparent, accessible voicings.

How to get the most out of it

  • Lock the rhythm section first. Have your percussion and low brass establish the groove before layering in the melodic voices; this single arrangement builds its power on a solid rhythmic foundation.
  • Attend to the dynamic shaping in the horn parts. Ford writes with specific contrast between phrase statements and responses; exaggerate these dynamics slightly in early rehearsals to clarify the arrangement's structure.
  • Balance the featured sections carefully. The arrangement highlights different instrumental groups at different moments; make sure soloists or small sections cut through the ensemble without the full band drowning them out.
  • Use the recorded accompaniment or reference recording to lock tempos and feel. Rock grooves live and die by their pocket; hearing the original arrangement helps your band internalize the stylistic intent.

How to use it

Position this as a mid-season highlight or spring concert opener where contemporary energy can energize your program. The Grade 3 accessibility and recognizable source material make it an excellent choice for community performances or events seeking repertoire with broad appeal beyond traditional marching band audiences.

Skills your students will build

  • Rock and contemporary music style and groove interpretation
  • Dynamic contrast and phrase shaping in ensemble contexts
  • Balancing featured sections within full band sonority
  • Maintaining steady rhythmic pocket with syncopated ensemble figures

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