Wings: SAB Choral Octavo
Music by Carl Strommen
Item: 00-PO-0002494
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More about this title
About the Composer: Carl Strommen

Carl Strommen's catalog spans band, orchestra, jazz ensemble, and vocal music, making him one of the most frequently performed composer/arrangers across North America and internationally. His work appears regularly in concert halls, broadcast television, and film soundtracks. Strommen maintains constant activity as both a clinician and commission writer, and his extensive body of work has earned him repeated recognition with ASCAP's Standard Writers Award.
A City College of New York graduate, Strommen remains connected to academic music life as an adjunct professor of orchestration and composition at the C.W. Post Campus of Long Island University. He and his family are based on Long Island, with regular extended visits to Denver and Boulder, Colorado.
Why we love this
Strommen understands what makes a choral piece memorable and singable without sacrificing substance. The musical language here echoes the success of his best-known works, but WINGS carries its own identity through a lyrical arc and text that resonates powerfully at graduation ceremonies and celebration events. Your singers will connect with both the message and the craft.
What to expect
Uplifting and reflective, WINGS balances hope with vulnerability. The melody soars without becoming overwrought, and the harmonic language supports the text's aspirational message through warm, accessible sonorities. This is music that lingers in singers' memories long after the performance ends.
Who it's for
Directors seeking a graduation piece that moves audiences while remaining achievable for treble-dominant or mixed choirs at the secondary or community level. The SAB voicing makes it accessible to developing ensembles, yet the writing contains enough musical substance to satisfy more advanced singers.
How to get the most out of it
- Shape the opening carefully to establish the song's contemplative tone; resist rushing into the primary melodic material, allowing singers to settle into the harmonic foundation.
- Balance the three parts so the soprano line remains clear without dominating; SAB voicing asks for attentive blend across the range.
- Use the recorded accompaniment to lock ensemble confidence, especially during modulations where voices might hesitate.
- Let the text "Give me wings" breathe at climactic moments; undersinging this section actually strengthens its emotional impact.
How to use it
Perfect as a concert closer for spring concerts, graduation ceremonies, or end-of-year celebrations where an emotional arc matters. Pair it with lighter selections earlier in the program to build to this moment, or use it as the anchor for a thematic set about growth and transition.
Skills your students will build
- Reading three-part SAB voicing and tracking individual lines within harmonic movement
- Sustaining lyrical phrases and shaping long melodic lines
- Balancing blend across different registers while maintaining soprano clarity
- Interpreting text through dynamic and expressive control
- Working with recorded accompaniment to develop independent vocal security