Why Do Bells for Christmas Ring? Cover Image

Why Do Bells for Christmas Ring?: Choral SoundTrax CD

$29.99 USD
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Why Do Bells for Christmas Ring? Cover Image

Why Do Bells for Christmas Ring?: Choral SoundTrax CD

Words from Traditional Carols and Eugene Field, music by Greg Gilpin

Item: 00-48304

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Description
Zesty old-world charm resonates throughout this festive original Christmas song by Greg Gilpin, which nestles a few favorite carol lyrics within a delightful children's poem. Notated vocal slides decorate many cadences along the way and add to the minor-key merriment. Perform with ribboned tambourines and the optional SoundTrax for extra Eastern European flair!

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081551272
SKU: 00-48304

More about this title

About the Composer: Greg Gilpin

Greg Gilpin

Greg Gilpin brings a rare combination of credentials to choral music: he is an ASCAP award-winning composer and arranger whose work has been performed at Carnegie Hall, Lincoln Center, Ryman Auditorium, Sydney Opera House, Royal Festival Hall, and Harpa Concert Hall. As Director of Educational Choral Publications for Shawnee Press, he shapes the landscape of choral repertoire available to schools and community ensembles across the country.

Beyond the concert hall, Gilpin has expanded his creative reach into film scoring (earning Best Score for the short film "Rosie's Rescue" in 2021) and collaborative arrangements with celebrated opera singers. He has also become certified as a financial coach and professional organizer, bringing his trademark precision and vision to multiple fields. An active member of ACDA, NAfME, SAG-AFTRA, and a Life Loyal Member of Phi Mu Alpha Sinfonia, Gilpin remains deeply invested in music education and the artistic community.

Why we love this

Gilpin's gift for embedding familiar carol phrases within a completely original setting gives this piece narrative cohesion without relying on pre-existing tunes. The notated vocal slides at cadences add character and charm that young singers will enjoy executing, transforming what could be a straightforward holiday number into one with real personality and Eastern European melodic flavor.

What to expect

Old-world charm collides with contemporary craft. The minor tonality creates a bittersweet, contemplative quality unusual for Christmas music, while the interwoven carol references and rhythmic vitality keep the piece moving forward with genuine warmth rather than melancholy. Vocal slides bloom at phrase endings like decorative flourishes on a holiday gift.

Who it's for

Elementary and middle school choirs seeking festive repertoire with character and substance. The text's appeal to younger singers (rooted in a children's poem) combined with manageable vocal ranges makes this accessible for students still building stamina, while the minor key and compositional details keep it interesting for more experienced ensembles.

How to get the most out of it

  • Shape the notated vocal slides expressively without oversinging them; they should sound natural and conversational, not exaggerated.
  • If using ribboned tambourines, rehearse their entries separately so percussionists lock the rhythmic pulse without drowning out the vocal line.
  • Layer the SoundTrax recording during rehearsals to help singers hear the harmonic context, then gradually reduce reliance on it as confidence builds.
  • Emphasize the minor-key tonality in your warm-ups; it gives this piece its distinctive mood and sets it apart from typical major-key Christmas fare.

How to use it

Place this early in a winter concert to reset audience expectations about what holiday music can be. Its distinctive character makes it an excellent contrast piece alongside more traditional carols, and the optional percussion adds visual interest for younger audiences. The minor tonality also pairs well with contemplative secular pieces exploring winter or seasonal reflection.

Skills your students will build

  • Executing notated vocal slides with accuracy and stylistic control
  • Singing in minor keys with tonal clarity and intonation
  • Balancing ensemble blend while maintaining individual vocal expression
  • Coordinating with optional percussion (tambourines) to support rhythmic precision
  • Recognizing and performing embedded melodic quotes within an original harmonic context

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