Why Do Bells for Christmas Ring?: 3-Part Mixed Choral Octavo
Words from Traditional Carols and Eugene Field, music by Greg Gilpin
Item: 00-PO-0006303
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More about this title
About the Composer: Greg Gilpin

Greg Gilpin is an ASCAP award-winning choral composer and arranger whose conducting credits span major concert halls across three continents, from Carnegie Hall and Lincoln Center in New York to the Sydney Opera House and Royal Festival Hall in London. As Director of Educational Choral Publications for Shawnee Press, he shapes choral repertoire for educators nationwide while maintaining an active schedule as a conductor and recording industry producer.
Beyond music, Gilpin has expanded his career into professional organizing and financial coaching, appearing on network television and the series "Hoarders." In 2021, he composed the award-winning score for the short film "Rosie's Rescue" and collaborated with opera singer Angela Brown on a new arrangement of "What Child is This?" that premiered with the Indianapolis Symphonic Choir. He holds memberships in ACDA, NAfME, SAG-AFTRA, and is a Life Loyal Member of Phi Mu Alpha Sinfonia.
Why we love this
Gilpin layers genuine charm into this original without oversimplifying the musical language. The minor-key setting and notated vocal slides create character and warmth that elementary and middle school singers can sink their teeth into, while the optional Eastern European percussion and accompaniment track lift the whole piece into something genuinely festive rather than earnest.
What to expect
Old-world and playful, with a minor-key sparkle that feels both nostalgic and fresh. The notated slides add whimsy to the cadences, and when paired with ribboned tambourines, the piece captures Eastern European festive joy without ever feeling heavy or overly complicated.
Who it's for
Elementary and middle school choirs looking for a secular Christmas piece with real musical substance. This works equally well for younger singers building slide technique and for more experienced groups seeking a charming alternative to predictable holiday fare.
How to get the most out of it
- Prepare the vocal slides in advance by singing through them slowly as a choir, making sure your singers understand they're ornamental flourishes at cadences, not pitch corrections. Once your group hears how they land, the effect becomes natural and charming.
- If using the recorded accompaniment, rehearse several times with the track to establish comfort with the tempo and phrasing before adding the ribboned tambourines. Let your singers hear exactly when the percussion enters so they can lock in.
- The minor-key merriment works best when the choir leans into the text with clarity and diction. Slow down enough on carol lyric moments that the audience recognizes the familiar material nestled in the poem.
How to use it
Nest this alongside a more reverent carol or two in a mixed holiday concert to give the program shape and variety. Its secular roots and zesty character make it an ideal opener or closer that sends the audience out smiling.
Skills your students will build
- Singing vocal slides and embellishments with control and musicality
- Maintaining intonation in minor keys across three-part harmonies
- Blending voices while carrying melodic fragments of familiar carol lyrics
- Coordinating with percussion accompaniment and optional recorded tracks
- Articulating text clearly within a playful, character-driven arrangement