When Midnight Mists Are Creeping Sheet Music Preview

When Midnight Mists Are Creeping: SSA Choral Octavo

Words from "Dreamland" by Lewis Carroll, music by Greg Gilpin

Item: 00-PO-0001810

Digital Download
$1.85

Minimum order quantity: 20 copies

Description
This evocative text setting makes it easy for developing concert choirs to impress. Modest vocal ranges, logical voice leading, and manageable phrase lengths allow musicality to be the focus of rehearsal and the hallmark of performance.

When Midnight Mists Are Creeping: SSA Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
SKU: 00-PO-0001810

More about this title

About the Composer: Greg Gilpin

Greg Gilpin

Greg Gilpin brings dual expertise as both a conductor and composer, having led ensembles at Carnegie Hall, Lincoln Center, and Ryman Auditorium, as well as at prestigious international venues including the Sydney Opera House and Royal Festival Hall in London. An ASCAP award-winning creator, he serves as Director of Educational Choral Publications for Shawnee Press and holds membership in ACDA, NAfME, and Phi Mu Alpha Sinfonia.

Beyond the concert hall, Gilpin has expanded his creative reach into film scoring, winning Best Score for the short film "Rosie's Rescue" in 2021, and collaborated with opera singer Angela Brown on a new arrangement of "What Child is This?" premiered by the Indianapolis Symphonic Choir. His work in music education and publishing reflects a deep commitment to creating accessible, engaging literature for developing musicians.

Why we love this

Gilpin crafts a piece that prioritizes what developing choirs actually need: modest ranges and logical voice leading that let singers focus on expression rather than struggling with technical demands. The poetic text paired with accessible writing means your rehearsal time goes toward building musicality, not solving range or intonation problems, making this a smart choice when you want your singers to sound polished and confident.

What to expect

Atmospheric and contemplative, this setting wraps singers in evocative language that paints vivid nighttime imagery. The accessibility of the writing allows performers to inhabit the mood and text fully, creating performances that feel mature and emotionally engaged rather than technically labored.

Who it's for

Developing concert choirs ready to program literature that sounds more sophisticated than it is to rehearse. Directors seeking SSA repertoire that builds musicianship without demanding extensive technical skill or management overhead will find this an ideal fit for mid-year or spring concert programming.

How to get the most out of it

  • Shape each phrase with attention to the text's imagery; the evocative language rewards singers who think about word painting rather than simply executing notes accurately.
  • Balance the SSA voicing carefully during parts where the soprano line sits high, as these passages can easily overshadow the alto harmony if voices aren't blended thoughtfully.
  • Find the natural breathing points within longer phrases and coach singers to breathe together; this small detail transforms adequate performances into cohesive ones.

How to use it

Program this as a standalone piece to showcase your choir's musical maturity in a concert format, or pair it with other poetic, text-driven selections to build a thematic concert arc. Its modest page count and manageable rehearsal demands make it practical for contest or festival submission without requiring excessive preparation time.

Skills your students will build

  • Phrase shaping in SSA voicing
  • Text interpretation and word painting
  • Blend and balance across three parts
  • Sustained legit tone in moderate ranges
  • Ensemble cohesion in longer musical statements

You May Also Like