When Midnight Mists Are Creeping Sheet Music Preview

When Midnight Mists Are Creeping: SATB Choral Octavo

Words from "Dreamland" by Lewis Carroll, music by Greg Gilpin

Item: 00-PO-0001808

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$1.85

Minimum order quantity: 20 copies

Description
This evocative text setting makes it easy for developing concert choirs to impress. Modest vocal ranges, logical voice leading, and manageable phrase lengths allow musicality to be the focus of rehearsal and the hallmark of performance.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
SKU: 00-PO-0001808

More about this title

About the Composer: Greg Gilpin

Greg Gilpin

Greg Gilpin brings dual expertise to his choral compositions: he is both an ASCAP award-winning composer and conductor with performances at venues ranging from Carnegie Hall and Lincoln Center to the Sydney Opera House and Royal Festival Hall. His work as Director of Educational Choral Publications for Shawnee Press positions him to write music that works in real rehearsal rooms, not just on paper.

Beyond the concert stage, Gilpin has expanded his creative reach into film scoring, earning Best Score recognition for the short film "Rosie's Rescue" in 2021. He holds memberships in ACDA, NAfME, and Phi Mu Alpha Sinfonia, and actively engages with choral music education across multiple roles.

Why we love this

Gilpin understands what developing choirs need: ambitious repertoire that doesn't demand heroic ranges or intricate voice leading just to sound beautiful. The modest tessatura and phrase structure here free your singers to focus on the interpretive work that transforms a good performance into a memorable one, making this ideal for choirs preparing for concert or festival programming.

What to expect

An evocative, atmospheric setting that conjures a contemplative mood through graceful melodic writing and transparent harmony. The modest ranges and logical voice leading create space for nuanced interpretation, allowing the poetic text to resonate clearly.

Who it's for

Developing concert choirs seeking repertoire with literary substance and emotional depth, but without extreme vocal demands. This works for singers at the early-intermediate level who are ready for expressivity and musicianship to become the primary focus rather than technical survival.

How to get the most out of it

  • Shape each phrase with the text rather than mechanical phrasing marks; the lyrical writing responds naturally to the narrative arc of the poem.
  • Balance blend across parts by listening for the supporting voices underneath the melody, ensuring the harmonic foundation stays anchored.
  • Take care with diction clarity on the evocative imagery; the mood of this piece depends on singers projecting the poetry with intention.
  • Let the accompaniment breathe with you; resist the urge to rush through phrase ends, which will dilute the atmospheric quality.

How to use it

Program this as a centerpiece of a thematic concert built around narrative or literary texts, or as a standalone concert piece that demonstrates your choir's ability to sustain mood and musicality. Its manageable eight-page length makes it ideal for contests or festivals where you want strong artistic impact without exhausting your ensemble.

Skills your students will build

  • Sustaining lyrical phrasing across moderate phrase lengths
  • Blending transparent SATB harmony
  • Interpreting poetic text through vocal expression
  • Managing modest but expressive vocal ranges with control

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