Whatever Lola Wants (Lola Gets): SATB Choral Octavo

Sally K. Albrecht's arrangement captures the theatrical irreverence of the original while giving you genuine flexibility in how you present it. The "girls vs. guys" dynamic in the SATB version creates natural dramatic tension that engages singers and audiences alike, and the optional SSA alternative means you're not locked into one vocal configuration. This is the kind of theater song that reminds choirs why they're singing.

Confident, flirtatious, and just a shade defiant. The song swaggers with the kind of Broadway confidence that makes singers feel glamorous and audiences feel entertained. There's a lightness to it even as the harmonic language stays sophisticated and interesting, and the back-and-forth between voice sections creates a playful tension that's simply enjoyable to execute.

Choirs looking for a showstopper with real personality and flexibility in voicing will find exactly what they need here. Whether you have a strong soprano section ready to shine in SSA or prefer the full dynamic of mixed voices trading lines, this arrangement meets you where you are. High school and collegiate choirs will find it both fun to sing and genuinely theatrical.

• Lean into the comedic character throughout. This number lives on attitude and sass, not on perfect legit singing, so encourage your singers to commit to the personality of their lines rather than iron out every stylistic wrinkle.
• If you're using the recorded accompaniment, let your ensemble hear it several times before sectionals so they can absorb the groove and phrasing naturally rather than fighting against it.
• The back-and-forth between sections needs clear ensemble entrances and releases. Mark these in rehearsal so singers know exactly when to lock in and step back.
• Explore the dynamic contrast between the sass of the verse and any moments of musical softening. This song has textural variety built in; make sure it breathes.

This works beautifully as an act-closer or show-opener when you're programming a Broadway-themed concert or a lighter, entertainment-focused set. It also pairs naturally with other mid-century musical theater selections, creating a nostalgic retrospective of a golden era of American song. The theatrical staging suggestions built into the octavo mean you can add movement and visual interest without reinventing the wheel.

• Rhythmic precision in syncopated, speech-rhythm passages
• Part independence in call-and-response between voice sections
• Theater diction and comedic timing in choral context
• Blend and balance in mixed-voice harmony
• Stylistic flexibility moving between legit and contemporary pop idioms