What a Wonderful World: 2-Part Choral Octavo
Words and Music by George David Weiss and Bob Thiele / arr. Andy Beck
Item: 00-PO-0006659
Minimum order quantity: 20 copies
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More about this title
About the Composer: George David Weiss
George David Weiss composed some of the most enduring popular songs of the 20th century, including "Can't Help Falling in Love" and "What a Wonderful World." His gift for melody and emotional directness made his work instantly singable and universally beloved, crossing genres from jazz to pop to film.
Why we love this
Andy Beck's arrangement honors the iconic Hawaii-rooted spirit of Israel Kamakawiwo'ole's rendition while keeping the piece within reach for young choirs. The clever interplay between parts, where one section carries the melody while the other floats independent "aloha" lines, creates fullness without complexity, and the optional ukulele/guitar opens doors to mixed-ensemble programming that feels fresh and contemporary.
What to expect
Warm, meditative, and infused with genuine kindness. The piece carries the peaceful spirit of the original while inviting singers into a conversation between parts, creating moments of harmony that feel earned rather than imposed. There's a gentle strength in how the melody passes between sections, like voices in dialogue across a peaceful landscape.
Who it's for
Middle and high school choirs, treble ensembles, and church choirs seeking repertoire that combines accessibility with emotional resonance. This arrangement works beautifully for groups new to 2-part singing and for ensembles looking to expand their pop and contemporary secular canon.
How to get the most out of it
- Balance the melody line with confidence while keeping the "aloha" responses intimate and conversational; they should feel like a gentle echo rather than a competing line.
- Lean into the laid-back Hawaiian character by allowing a slight rubato in the phrasing, especially at the ends of phrases where the melody lands on longer notes.
- If adding ukulele or guitar, let the accompaniment breathe in the verses and build slightly toward the final statement of the melody.
- Shape each "aloha" entrance with warmth and intention; these moments anchor the arrangement's spiritual heart.
How to use it
Program this as a concert closer or centerpiece for a peace and community-focused concert. Its universal message and accessible difficulty make it ideal for spring concerts, graduation celebrations, or benefits. The piece also pairs well with world music programming or concerts exploring contemporary interpretations of standards.
Skills your students will build
- Balancing independent melodic lines in 2-part texture
- Sustaining lyrical phrasing over longer note values
- Blending parts while maintaining clear part identity
- Interpreting contemporary pop arrangements with stylistic awareness
- Collaborating with optional instrumental accompaniments