We Wish You: SAB Choral Octavo
Words and music by Ruth Morris Gray / arr. Andy Beck
Item: 00-PO-0000068
Minimum order quantity: 20 copies
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More about this title
About the Composer: Ruth Morris Gray

Ruth Morris Gray has shaped choral music education as Director of Choirs at Rosemead High School in California since 2004, where she also teaches piano. Her compositional output exceeds 100 published works, reflecting a deep commitment to creating singable, engaging literature for student ensembles. She holds a Bachelor of Music in Piano Performance and Composition from Biola University and a Master of Arts in Music Composition from UC Santa Barbara, with teaching credentials from California State University, Northridge.
Beyond the music studio, Gray pursues an active life that includes travel, swimming, reading, and e-biking with her husband Douglas. Her dual expertise in performance and composition informs her understanding of what works in the rehearsal room and what resonates with audiences.
Why we love this
This arrangement captures everything a seasonal closer should do: it lands with contemporary energy rather than reverence, giving your ensemble permission to have fun with a holiday standard. The pop-styled groove and rhythmic drive make it memorable for singers and listeners alike, while the structural nod to "We Wish You a Merry Christmas" keeps the connection to tradition clear. The SoundTrax accompaniment transforms rehearsals into something that feels like an actual performance from day one.
What to expect
Upbeat and infectious, with a modern pop sensibility that feels like a party already in motion. The embedded "We Wish You a Merry Christmas" references anchor it to holiday tradition while the rhythmic drive pushes forward with energy and groove.
Who it's for
Choirs performing at winter concerts, holiday pops events, or any seasonal celebration where a contemporary sound energizes the room. This works especially well for groups with SAB voicing who want something current and celebratory beyond traditional carols.
How to get the most out of it
- Lock the rhythmic groove early in rehearsals by having all sections tap or clap the primary rhythmic motif together before layering in pitches; this builds ensemble cohesion and makes the modern style feel intentional rather than sloppy.
- Balance the pop sensibility with clear diction; these contemporary grooves can blur words if singers aren't precise with consonants and syllable placement.
- Use the recorded accompaniment during performance to lock the band-like energy; the groove benefits from that external anchor rather than relying solely on internal parts.
How to use it
Reserve this for the final number on a holiday program; its contemporary vibe and celebratory momentum make it an ideal send-off that leaves audiences in a festive mood as they exit. It pairs well after more reverent seasonal selections, providing dynamic contrast and a clear tonal shift that signals the concert's closing moments.
Skills your students will build
- Singing syncopated rhythms and pop-styled grooves
- Maintaining rhythmic precision against a recorded accompaniment
- Balancing modern musical idioms with clear choral diction
- Performing three-part mixed voicing with confidence