We're All in This Together Cover Image

We're All in This Together: 2-Part, <i>a cappella</i> Choral Octavo

$2.75 USD
Sale price  $2.75 USD Regular price 
Skip to product information
We're All in This Together Cover Image

We're All in This Together: 2-Part, a cappella Choral Octavo

from High School Musical

Words and music by Matthew Gerrard and Robert Nevil / arr. Bryan Sharpe

Item: 00-51467

$2.75
Shipped

One moment…

Description
Your kids will cheer for this upbeat contemporary a cappella arrangement that sings like a choir pep rally! Built especially for developing groups (yes, even 2-part singers), Bryan's signature style includes opportunities to feature an aspiring beatboxer on the notated vocal percussion, a medium voice singer on the familiar solo, and the full ensemble on stomps and claps at the end. "Wildcats in the house!" From the Disney Channel Original Movie High School Musical.

We're All in This Together: 2-Part, a cappella Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081589671
SKU: 00-51467

More about this title

About the Composer: Matthew Gerard

Matthew Gerard composed music for the Disney Channel Original Movie High School Musical alongside collaborator Robbie Nevil. His work on the film's soundtrack helped define the sound of early 2000s musical theater for a generation of young performers and listeners. Gerard's compositions for Disney demonstrate a gift for writing melodies that resonate with student singers and audiences alike.

Why we love this

Bryan Sharpe's arrangement strips away complexity without losing energy, making this a genuine win for groups still building confidence in blend and balance. The built-in role differentiation (beatboxer, soloist, full ensemble) lets you cast students at their actual skill level while keeping everyone engaged and visible. This is the kind of piece that gets genuine excitement at rehearsal because kids recognize the source and feel the ownership of making it work.

What to expect

Infectious and celebratory. The familiar melody sits comfortably in students' voices while the arrangement's rhythmic drive and the permission to move (stomps, claps, beatboxing) create the feel of a genuine pep rally where singing is the natural way to celebrate. There's joy in simplicity here, not restriction.

Who it's for

Choirs with developing 2-part singers who benefit from accessible voicing and clear harmonic writing. This works equally well for middle school ensembles building fundamentals and high school groups looking for upbeat concert material with built-in student leadership opportunities. The piece also suits programs seeking contemporary pop repertoire that feels current and fun without requiring advanced vocal technique.

How to get the most out of it

  • Lock the rhythmic precision of the stomps and claps in the finale; they're simple but need absolute clarity to land the energy payoff.
  • Give the beatboxer time to rehearse the notated vocal percussion separately before combining it with the rest of the arrangement so their groove doesn't feel rushed.
  • Shape the solo with the medium voice singer early in your rehearsal process; a confident soloist lifts the whole piece and gives the ensemble something to support.
  • Maintain consistent vowel shapes across the a cappella sections to keep intonation stable without instrumental reinforcement.

How to use it

Program this as a concert closer or a spring concert opener where you want momentum and audience connection. It also serves as an excellent tool in your first weeks with a developing 2-part group to build confidence before moving to more complex material. Consider pairing it with other contemporary pop arrangements in the same series to create a cohesive set that showcases your students' growth.

Skills your students will build

  • A cappella singing with stable intonation across unaccompanied sections
  • Rhythmic precision in unison and 2-part contexts
  • Part independence while maintaining blend
  • Vocal percussion technique and ensemble rhythmic coordination
  • Confidence singing recognizable contemporary material

You May Also Like