We're All in This Together: 3-Part Mixed, a cappella Choral Octavo

Bryan Sharpe's arrangement strips away nothing essential from the original while making it genuinely singable for groups still building their blend and independence. The notated beatboxing part and solo opportunity mean every voice type gets a moment, and the built-in choreography (stomps, claps, full ensemble moments) keeps energy high without overshadowing the singing itself.

Bright, propulsive, and genuinely fun. The piece carries the infectious energy of its source (a high school pep rally setting) without feeling forced; there's real musical content underneath the contemporary groove.

Developing three-part choirs, mixed youth ensembles, and treble-heavy groups looking for a contemporary piece that doesn't demand advanced voice independence. This works especially well for singers new to part singing or those who need repertoire that rewards ensemble enthusiasm alongside technique.

• Establish the beatboxing pattern early in rehearsal so it locks in before the melody enters; this rhythmic foundation will steady the whole piece.
• Work the solo line separately with your designated singer first, then layer it over the ensemble parts so it sits forward without pulling focus.
• Practice the final stomps and claps as rhythmically as you would any percussion part; precision here lifts the ending from cute to genuinely polished.

Program this for spring concerts, pops-style performances, or graduation ceremonies where you want a piece that gets the audience on its feet. It pairs well alongside more traditional repertoire as a set closer or as part of a themed medley celebrating movie music.

• singing in three distinct parts while maintaining rhythmic unity
• balancing individual featured lines against ensemble texture
• executing rhythmic precision in non-pitched vocal percussion
• sustaining energy and ensemble cohesion in contemporary harmonic contexts