We Love the '60s Cover Image

We Love the '60s: SoundTrax Digital Audio Download

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We Love the '60s Cover Image

We Love the '60s: SoundTrax Digital Audio Download

Featuring: He's a Rebel / Sealed with a Kiss / Save the Last Dance for Me / Turn Around, Look at Me / (Your Love Keeps Lifting Me) Higher and Higher

Arr. Jay Althouse

Item: 00-A-00015257

$44.99
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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
SKU: 00-A-00015257

More about this title

About the Arranger: Jay Althouse

Jay Althouse

Jay Althouse studied Music Education and Music at Indiana University of Pennsylvania, where he was honored with the Distinguished Alumni award. Early in his career, he spent eight years managing rights and licenses for a major educational music publisher and served on the Executive Board of the Music Publishers Association of America.

As a composer, Althouse has created over 800 choral works performed regularly across the English-speaking world. He holds membership in ASCAP and is a recurring recipient of the ASCAP Special Award. Beyond composition, he has co-written children's musicals with Sally K. Albrecht, compiled vocal collections including Folk Songs for Solo Singers, co-authored The Complete Choral Warm-up Book and Accent on Composers, and created classroom resources such as Ready to Read Music and One-Page Composer Bios. He co-wrote I Hear America Singing, performed by the San Francisco Girls and Boys Choirs at President Obama's 2009 inauguration. Althouse serves on the National Advisory Board of the Folk Art Society of America and resides in North Carolina.

Why we love this

Althouse brings his deep understanding of what works in the choral rehearsal to this '60s medley. The arrangement balances accessibility with engaging choral writing, meaning your singers stay interested while you maintain musicality. This is the kind of repertoire that reminds students why they joined choir in the first place.

What to expect

The music captures the optimism and exuberance of the 1960s with clear harmonic progressions, rhythmic drive, and accessible vocal lines. Singing this arrangement feels like stepping into a recording studio from that era, where the goal was direct emotional communication and infectious energy.

Who it's for

This arrangement serves choirs of mixed abilities who want to program familiar, engaging material from an iconic decade. Whether your group is building confidence or seeking a crowd-pleasing concert moment, this '60s medley delivers both musical substance and the kind of repertoire singers remember.

How to get the most out of it

  • Study the recorded accompaniment before rehearsal to internalize the groove and harmonic movement, then have singers listen to it once or twice during sectionals so they hear their parts in context.
  • Mark the staging and movement cues clearly in your score during preparation; these moments anchor the era's energy and keep the piece from feeling static.
  • Balance the melody line with strong inner-part support in rehearsals. '60s arrangements often rely on solid harmonies to create their signature sound, so don't let sopranos carry the weight alone.
  • Record a rehearsal run-through and listen back as a full choir. Hearing themselves in this popular idiom often sparks the kind of enthusiasm that translates to memorable performances.

How to use it

Program this as a centerpiece in a concert built around a decade theme or as a high-energy set closer that leaves audiences smiling. The movement and staging elements make it equally effective for concert or musical theater contexts, and it pairs well with other pop or folk-influenced choral works.

Skills your students will build

  • Singing in pop and rock idioms with authentic phrasing and rhythmic precision
  • Coordinating choreography with vocal lines and ensemble balance
  • Interpreting era-specific style and applying it to familiar material
  • Maintaining harmonic blend in arrangements with complex inner parts

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