We Love the '60s Cover Image

We Love the '60s: SSA Choral Octavo

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We Love the '60s Cover Image

We Love the '60s: SSA Choral Octavo

Featuring: He's a Rebel / Sealed with a Kiss / Save the Last Dance for Me / Turn Around, Look at Me / (Your Love Keeps Lifting Me) Higher and Higher

Arr. Jay Althouse

Item: 00-33198

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Description
Here's seven minutes full of nonstop fun---and perhaps some fun memories for folks in your audience! This medley offers wonderful variety for concert or show choirs. Titles: He's a Rebel * Sealed with a Kiss * Save the LAst Dance for Me * Turn Around Look at Me * (Your Love Keeps Lifting Me) Higher and Higher.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 28
UPC: 038081361062
SKU: 00-33198

More about this title

About the Arranger: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was honored as a Distinguished Alumnus. His early career in educational music publishing included eight years as a rights and licenses administrator and a term on the Executive Board of the Music Publishers Association of America.

Althouse has established himself as a prolific composer with over 800 choral works in print across all levels. His compositions are performed internationally and have earned him regular ASCAP Special Awards. Beyond composing, he has collaborated with his wife Sally K. Albrecht on children's musicals, compiled widely adopted vocal collections, and authored instructional resources including The Complete Choral Warm-up Book and Accent on Composers. He co-wrote I Hear America Singing, performed by the San Francisco Girls and Boys Choirs at President Obama's 2009 Inauguration. Based in Wake Forest, North Carolina, Althouse serves on the National Advisory Board of the Folk Art Society of America.

Why we love this

This medley captures the infectious energy of the '60s without requiring costume changes between numbers. The SSA voicing keeps it accessible for younger or developing choirs while still delivering that nostalgic sing-along quality audiences love. Seven solid minutes of variety means your choir gets real programming mileage from a single piece.

What to expect

Pure joy and infectious momentum. The arrangement bounces between upbeat classics and smoother ballads, keeping singers engaged and audiences smiling. There's something about the '60s sound that feels celebratory without demanding technical virtuosity.

Who it's for

This works beautifully for concert choirs and show choirs at the high school level, particularly groups with mixed ages or ability ranges. Community and recreational choirs also gravitate toward medleys with cultural resonance, and parents appreciate hearing songs they actually recognize.

How to get the most out of it

  • Balance the melody line through voice changes; the sopranos carry most of the tunes, so they need clear projection without drowning out the inner harmony.
  • Use the recorded accompaniment strategically during rehearsal to build tempo confidence, especially across the transitions between medley sections.
  • Layer in the suggested staging and movement incrementally; block the biggest visual moments first, then refine with subsequent rehearsals.
  • Nail the stylistic shifts between songs; each title has a distinct '60s flavor, so shift your vowel focus and rhythmic placement accordingly rather than sing them all the same way.

How to use it

Reserve this for your pops concert or spring show finale when you want the audience leaving happy. It also works well mid-program as a mood lifter after heavier classical selections, and the recognition factor makes it an excellent choice for community outreach performances where broad appeal matters.

Skills your students will build

  • Sustaining smooth transitions between contrasting tempos and harmonic styles
  • Balancing melody and countermelody in close voicing
  • Coordinating movement with musical phrase structure
  • Applying stylistic inflection appropriate to popular music idioms

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