We Love the '60s Cover Image

We Love the '60s: Choral SoundPax

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We Love the '60s Cover Image

We Love the '60s: Choral SoundPax

Featuring: He's a Rebel / Sealed with a Kiss / Save the Last Dance for Me / Turn Around, Look at Me / (Your Love Keeps Lifting Me) Higher and Higher

Arr. Jay Althouse

Item: 00-33201

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Here's seven minutes full of nonstop fun---and perhaps some fun memories for folks in your audience! This medley offers wonderful variety for concert or show choirs. Titles: He's a Rebel * Sealed with a Kiss * Save the LAst Dance for Me * Turn Around Look at Me * (Your Love Keeps Lifting Me) Higher and Higher.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, We Love the '60s: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 52
UPC: 038081361093
SKU: 00-33201
Instrumentation: SoundPax

More about this title

About the Arranger: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was recognized as a Distinguished Alumnus. Early in his career, he spent eight years in rights and licensing administration for a major educational music publisher and served on the Executive Board of the Music Publishers Association of America. His compositional output exceeds 800 works for choirs across all levels, performed regularly in English-speaking countries worldwide.

Althouse is an ASCAP writer member and frequent recipient of the ASCAP Special Award for his standard music compositions. Beyond his choral catalog, he has co-written children's musicals with Sally K. Albrecht, compiled vocal solo collections including Folk Songs for Solo Singers, and authored or co-authored numerous choral and educational resources such as The Complete Choral Warm-up Book, Accent on Composers, and Ready to Read Music. His choral work I Hear America Singing, co-written with Albrecht, was performed by the San Francisco Girls and Boys Choirs at President Barack Obama's 2009 Inauguration. Althouse resides in North Carolina and contributes to the Folk Art Society of America as a National Advisory Board member.

Why we love this

This medley captures the infectious energy of 1960s pop while offering genuine concert programming value. Althouse balances accessibility with musical interest, layering harmonies that reward singers without overwhelming younger or less experienced choirs. Five well-known titles strung together with smart transitions make this a show-stopper that audiences recognize and performers enjoy from rehearsal onward.

What to expect

Bright, buoyant, and nostalgic all at once. The medley moves through moments of swagger and sass, tender connection, and unbridled joy. Whether your audience members lived through the '60s or discovered these songs later, the infectious melodies and Althouse's spirited writing create an atmosphere of pure entertainment.

Who it's for

Concert choirs and show choirs looking for a crowd-pleasing medley that works for audiences of all ages. The arrangement is accessible enough for standard choral programs while offering enough musical texture and performance variety to satisfy singers seeking engaging material.

How to get the most out of it

  • Capitalize on the recorded accompaniment to lock in the groove; these uptempo numbers benefit from the rhythmic foundation it provides, especially during the transition moments between songs.
  • Give singers permission to lean into the character and energy of the '60s sound. Teach them the original recordings so they absorb the vocal style and phrasing that makes these songs memorable.
  • Balance blend with personality in the harmony sections. These arrangements thrive when each part line remains present and clear rather than blended into uniformity.
  • Stage the medley if you have space. The variety of tempos and moods across five songs invites natural movement and staging that keeps audiences engaged throughout the seven minutes.

How to use it

Program this as a standout centerpiece in a pops or cabaret concert, or place it strategically in a mixed repertoire program where you need an energy boost and audience smile. Its seven-minute span and built-in variety also make it ideal for show choir competitions where judges and audiences respond to song medleys with strong concept and execution.

Skills your students will build

  • Sustaining ensemble blend across multiple tempos and song transitions
  • Interpreting jazz and pop vocal style within a choral context
  • Navigating rhythmic precision in uptempo material with recorded accompaniment
  • Executing clean harmonic movement in close-voiced arrangements
  • Building performance confidence through well-known, audience-friendly material

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