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We Are the Children: 2-Part (with Opt. Staging) Choral Octavo

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We Are the Children Cover Image

We Are the Children: 2-Part (with Opt. Staging) Choral Octavo

Music by Sally K. Albrecht

Item: 00-7893

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A stirring work by Sally K. Albrecht. Easily performable, but so effective. The inspiring text ('We are the children, we stand for peace and brotherhood.') is both timely and moving. INCLUDED IN THE PUBLICATION ARE SALLY'S OWN SIMPLE STAGING SUGGESTIONS.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, We Are the Children: 2-Part (with Opt. Staging) Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081007311
SKU: 00-7893

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped American choral music through six decades of compositions and leadership in music education. An ASCAP Award winner since 1987, she has published over 600 choral works along with 75 larger-scale musicals and songbooks, many created during her tenure directing school choral and vocal publications for major educational publishers. Her work as a clinician and conductor has taken her to honor choirs nationwide, including performances at Lincoln Center, Carnegie Hall, and The Kennedy Center.

Albrecht's background uniquely combines music and theater; she holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), and has taught at Oakland University, Jersey City State College, and Meredith College. Her commitment to leadership extends beyond music into civic work, including service as Chair of the Board of Trustees for Omicron Delta Kappa National Leadership Honor Society. She was honored with the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College in 2021.

Why we love this

Albrecht crafts pieces that achieve real impact without requiring advanced vocal technique or complex arrangements. The combination of an accessible 2-part texture, a message that resonates with young singers, and optional staging suggestions built directly into the score makes this a piece you can confidently program knowing it will move both your singers and your audience.

What to expect

Direct and earnest, this piece conveys conviction without sentimentality. The text settles into your singers' voices with clarity, and when the staging joins the music, the combination creates a moment of quiet power that lingers after the final note.

Who it's for

This piece works beautifully for middle and high school choirs, smaller ensemble groups, and church or community choirs seeking accessible material with genuine substance. The 2-part voicing makes it approachable for singers with limited experience while the message and optional staging appeal to groups ready to explore how music can address themes of peace and unity.

How to get the most out of it

  • Explore the staging suggestions provided in the score as a starting point; they're designed to be simple enough for rehearsal rooms without access to theatrical resources, yet substantial enough to deepen the emotional connection to the text.
  • Balance clarity of the message with musical shape; this text deserves deliberate pacing and thoughtful phrasing rather than a rushed, purely energetic delivery.
  • If using the recorded accompaniment, let your singers hear it during sectionals so they develop confidence with the harmonic progression before adding movement or staging.

How to use it

Position this as a meaningful standalone piece that anchors a concert devoted to peace, justice, or community themes, or pair it with contrasting material to create a thematic arc. Its brevity (8 pages) and emotional clarity make it equally effective as a closing number that leaves the audience with something to carry away.

Skills your students will build

  • Connecting text and physical movement to deepen musical expression
  • Singing sustained lines with breath control in a legit, supported tone
  • Interpreting sectional directions and staging cues while maintaining vocal focus

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