Walk with Me: SATB Choral Octavo
Words and music by David Waggoner
Item: 00-PO-0000900
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More about this title
About the Composer: David Waggoner

David Waggoner holds degrees from the University of Michigan School of Music and a master's degree from Eastern Michigan University. He has built a career composing for choirs, handbells, and various ensembles while teaching elementary music in Woodhaven, Michigan.
Beyond the classroom, Waggoner serves as Director of Music at the First United Methodist Church in Wyandotte, Michigan, where he applies his compositional and leadership skills in a congregational setting. His work reflects a deep understanding of both pedagogical and worship contexts.
Why we love this
Walk with Me strikes an uncommonly moving balance between accessibility and emotional depth. The dynamic arc from soft opening through a powerful middle proclamation to an impassioned finale gives your singers a genuine dramatic journey to inhabit, making this far more rewarding to rehearse than similarly scaled pieces. Waggoner's text painting on "take my hand, I'll lead the way" gives singers concrete musical and emotional stakes, not just pretty voicing.
What to expect
Walk with Me unfolds like a quiet confidence that gradually reveals its strength. You begin in intimate tenderness, then feel the music swell as it makes its central plea, building toward a moment of genuine conviction before settling once more into quiet resolve. The piece invites singers and listeners into a moment of mutual support without sentimentality.
Who it's for
This piece works well for intermediate to advanced high school or collegiate choirs seeking repertoire with emotional substance and clear dramatic shape. Community, church, and adult choirs will also connect with its accessible yet heartfelt expression of companionship and reassurance.
How to get the most out of it
- Shape the opening phrase with consistent breath support while maintaining genuine softness; avoid letting quiet singing collapse into uncertain intonation.
- Build the middle section strategically so the text "if the road should be unkind" lands with weight without feeling rushed or forced.
- Balance the final impassioned verse across all four parts so no single voice dominates the emotional climax.
- If using the recorded accompaniment, rehearse without it first so singers own the melodic and harmonic integrity before layering in instrumental support.
How to use it
Slot this in the second half of a concert where it can anchor a thematic set around resilience, community, or faith. Its moderate length and clear emotional arc make it an excellent choice between more complex or dissonant works, where it will land with particular impact. Consider pairing it with contrasting secular or spiritual selections that explore similar emotional territory.
Skills your students will build
- Dynamic control across a wide range (from soft to impassioned)
- Maintaining secure intonation in sustained soft passages
- Lyrical phrasing and text-driven expression
- Balance and blend in four-part harmony
- Building and releasing tension across a complete musical arc