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Variations on an Irish Tune: String Orchestra Conductor Score & Parts

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Variations on an Irish Tune Cover Image

Variations on an Irish Tune: String Orchestra Conductor Score & Parts

By Brian Balmages

Grade: 2

Item: 98-ST6116

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Description
Based on Thomas Moore's The Minstrel Boy, this work uses the full gamut of styles and techniques, from bagpipe drones to lyrical playing and even fiddle music. The work is composed of three variations that run together seamlessly. The first variation has an Irish sound to it and makes use of the entire tune. The second, lyrical section is absolutely beautiful and offers an opportunity for working on musicianship and phrasing without overextending the group technically. The final section is reminiscent of fiddle music and takes the audience on a thrill ride that builds to a glorious conclusion. A wonderful piece to showcase your group!

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Additional Details
Series: FJH Developing Strings
Publisher: The FJH Music Company, Inc.
UPC: 674398220656
SKU: 98-ST6116

More about this title

About the Composer: Brian Balmages

Brian Balmages

Brian Balmages has built a rare career conducting and composing across orchestral, band, and chamber music with equal fluency. His works have premiered at Carnegie Hall, the Kennedy Center, and Sydney Opera House, performed by ensembles ranging from professional orchestras to elementary school groups. He holds the A. Austin Harding Award from the American School Band Directors Association and is an elected member of the American Bandmasters Association.

Balmages won the 2020 NBA William D. Revelli Composition Contest and received the inaugural James Madison University Distinguished Alumni Award. He has guest conducted at the Midwest Clinic, Western International Band Clinic, and regional all-state ensembles worldwide. Currently serving as Director of MakeMusic Publications and Digital Education for Alfred and MakeMusic, his compositions continue to define contemporary school music repertoire.

Why we love this

Balmages understands exactly what a Grade 2 string orchestra can do musically without overwhelming technically. The three-variation structure gives your students the satisfaction of learning one melody deeply while experiencing it through distinct emotional and stylistic lenses. It's the kind of piece that sounds impressive to an audience while remaining genuinely achievable for your ensemble.

What to expect

The piece opens with the authentic scrape and warmth of Irish tradition, then softens into a moment of genuine lyricism where every note feels intentional. By the final section, it catches fire with fiddle energy and builds toward a conclusion that feels earned and joyful.

Who it's for

String orchestras at the Grade 2 level who want a single piece to demonstrate range and musicianship at a festival or concert. This works particularly well for groups developing sensitivity to style shifts and learning how the same melody transforms across different contexts.

How to get the most out of it

  • Bring out the bagpipe drone texture in the first variation by having your lower strings lock in with clear, steady tone. This foundation makes the entire section shimmer.
  • Shape the lyrical section with longer phrases than students instinctively want to make. Encourage them to breathe with the melody, not between every measure.
  • In the fiddle finale, let the energy build gradually from the opening rather than jumping straight to intensity. The piece works best when the audience feels the momentum gathering.
  • Record a rehearsal of the final section and play it back immediately. Students often don't realize how much they've already pulled the tempo up until they hear it.

How to use it

Pair this with other folk-based works to create a concert segment celebrating music across cultures, or use it as your standalone showcase piece if you're building a program around contrasting styles. It lands well in the second half of a concert where audiences are settled but you still want to leave them energized.

Skills your students will build

  • Stylistic contrast and tone color differentiation (bagpipe drone sound versus lyrical sweetness versus rhythmic fiddle energy)
  • Phrasing and musicianship in slow, singing passages
  • Rhythmic precision and ensemble lock in fiddle-style articulation
  • Dynamic control across a full range from intimate to climactic

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