Uptown Funkytown: 2-Part Choral Octavo
Words and music by Philip Lawrence, Bruno Mars, Devon Gallaspy, Lonnie Simmons, Nicholaus Williams, Ronnie Wilson, Mark Ronson, Rudolph Taylor, Jeff Bhasker, Robert E. Wilson, Charles K. Wilson, Steve Greenberg / arr. Jack Zaino
Item: 00-PO-0007910
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Philip Lawrence
Philip Lawrence is a songwriter and producer known for crafting infectious pop melodies and arrangements that balance commercial appeal with musical sophistication. His work spans hit recordings and theatrical adaptations, bringing a keen ear for vocal harmony and rhythmic groove to everything he writes.
Why we love this
This mashup captures something rare: genuine fun without sacrificing musicianship. The arrangement respects both source songs while building momentum so naturally that singers and audiences feel the narrative arc. It's the kind of piece that energizes a concert, deepens your singers' groove vocabulary, and reminds everyone why they joined choir in the first place.
What to expect
A dance floor erupts in a concert hall. The piece moves with calculated swagger, building from playful introductions into a propulsive fusion where the two songs become one unstoppable groove. Bright harmonies sparkle over a locked-in rhythm section, and the energy feels urgent and celebratory at once.
Who it's for
This octavo works beautifully for high school and college choirs seeking accessible, contemporary repertoire that doesn't apologize for its pop roots. It suits ensemble sizes from small select groups to full choirs and rewards singers who relish rhythm, syncopation, and the purely physical joy of singing pop music together.
How to get the most out of it
- Lock the rhythmic precision of the syncopated passages by isolating the syncopation from the backbeat; once the rhythm section anchors those hits, the choral parts snap into place.
- Lean into the contrast between the two songs' introductions before the mashup hits; let each section breathe so the collision feels intentional and satisfying.
- Bring the bassline forward in rehearsal and performance; it's the engine driving the funk energy, and vocalists need to hear and feel it as much as the audience does.
- Balance brightness in the upper voices against the heaviness of the groove; resist the urge to push too hard early on, saving full vocal power for the merged section.
How to use it
This piece thrives as a concert closer or as the anchor of a pop-themed set. It pairs naturally with other contemporary choral fare and works particularly well when you're programming toward a younger audience or an informal concert setting. The optional horn and rhythm parts elevate it further if you have musicians available to contribute those colors.
Skills your students will build
- Syncopated rhythm reading and execution
- Pop and funk vocal production
- Ensemble blend across dynamic contrasts
- Independence within rhythmic grooves
- Interpretation of contemporary lyrics and style